BA History and History of Art

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Study Art History at UEA and learn from world-leading art experts in a setting unlike any other in the country. Immerse yourself in great works of art and join a revolution in the way we think about art around the world.

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Key facts

Chris Dercon, director of Tate Modern, invited some of our 2nd year undergraduates to meet him in London to discuss his plans for the gallery and the future development of its collections. Dercon had previously met the students, who were all studying on our contemporary gallery and museum studies module at the time, in January after giving SIfA's 2015 Robert Sainsbury Lecture at the UEA.

"The Sainsbury's Centre for Visual Arts is an indepensable resource for the course as it was pupose-built for the housing and teaching of Art"

In their words

Jack Sheperdson, BA History of Art

Gain in-depth knowledge of art and history in a course which allows you to explore these deeply related disciplines alongside each other and to analyse both human experiences and their artistic expression.

This wide-ranging degree course benefits from the Faculty’s internationally-renowned expertise in History, and Art History and World Art Studies. Through the close study of past lives and cultures, you will expand your understanding of both.

You will study history and art history in parallel, taking modules in both disciplines throughout your degree with opportunities to study works of art first-hand on trips to London and overseas. Engage with European, American and Russian history over a wide chronological span while studying the history of art as it has been practiced around the world, from the prehistoric period through to the present day. You will be encouraged to think about art’s profound relationship with history, in optional modules and your final-year dissertation.

Overview

Course Detail

The BA History and History of Art degree programme enables you to gain in-depth knowledge of both art and history, allowing you to explore these distinct yet deeply interrelated disciplines alongside each other.

Our inter-disciplinary approach means that you receive teaching in both Art History and World Art Studies and History. The course benefits from these two substantial resources, both renowned centres for teaching excellence. You will study the two disciplines in parallel, taking modules from both areas of study throughout your degree with the opportunity to focus on a particular area during the second and third year if you wish.

The art-historical element of this degree covers art as it has been practiced in Europe and North America, as well as Asia, Africa, South America and the Pacific, from the prehistoric period through to the present day. The historical element consists of comprehensive engagement with European, American and Russian history over a wide-ranging chronological span. This degree programme will provide you with a diverse perspective on past lives and cultures, including how they have been experienced and interpreted by historians and art historians alike.

You will have many opportunities to study works of art and artefacts first-hand; we are extremely fortunate to be housed in the world renowned Sainsbury Centre for Visual Arts based on the UEA campus. You will also study work further afield, in Norwich and the region, London, Cambridge, and other cities in the UK and overseas.

Course Structure

Your degree programme may contain compulsory or optional modules. Compulsory modules are designed to give you a solid grounding, optional modules allow you to tailor your degree.

The course modules section below lists the current modules by year and you can click on each module for further details. Each module lists its value (in credits) and its module code, a year of study is 120 credits. 

Assessment

Key skills, issues and ideas are introduced in lectures given by all members of faculty, including art historians, anthropologists and archaeologists. More specialist study is undertaken in small group seminars.

In most subject areas, you will be assessed at the end of each year on the basis of coursework and, in some cases, project and examination results. In your final year, you will write a dissertation on a topic of your choice and with the advice of tutors- there is no final examination. Your final degree result is determined by the marks you receive in years two and three.

Course Modules 2018/9

Students must study the following modules for 80 credits:

Name Code Credits

FORM AND FUNCTION

Most works of art, whether objects, buildings, or performances, are designed to serve a set of purposes. The interrelationship of their forms and their functions may be straightforward and practical, or complex and elusive. Through a range of case studies, in this lecture module you will examine the connections between the uses, meanings and appearances of art, culture, space and landscape. You will also consider how form and function may change over time, especially in the context of cross-cultural contact.

AMAA4004B

20

INTRODUCTION TO ART HISTORY

This module is an introduction to art history as an academic discipline. We focus on the writing of art history and as such this is complementary to the other introductory modules which deal with materiality (Makers and Making) and the analysis of artefacts (Learning on Site).

AMAA4001A

20

LEARNING ON SITE: THE SAINSBURY CENTRE FOR VISUAL ARTS

In this module, you'll acquire the skills and knowledge needed to study objects from around the world, from prehistory to the present day. Drawing on the collections of the Sainsbury Centre for Visual Arts, Norwich-based collections and the city's architecture, you'll explore the ways in which materials, contexts and histories affect how objects have been made and used. Through readings, group discussions and the close study of objects, you'll be encouraged to challenge assumptions and preconceptions about different kinds of art. This module will also allow you to develop your abilities in library research, academic writing and referencing, and oral presentations.

AMAA4007A

20

PORTRAITURE AND IDENTITY

How do you represent a person? We will explore the genre of portraiture as it has been practiced by visual artists from the ancient world to the present day. We will consider issues such as 'likeness'; the face; the self-portrait; portraiture as the embodiment of political, social and aesthetic power; the ways in which portraiture has variously reinforced and challenged concepts of class, race and gender; the photographic portrait, and the role of portraiture in contemporary art and culture. We will analyse the works of art alongside histories and concepts of the individual self, perhaps the supreme artefact of all.

AMAA4025B

20

Students will select 20 credits from the following modules:

Name Code Credits

INTRODUCTION TO EARLY MODERN STUDIES

We will introduce key themes in early modern history, such as: gender, rebellion, religious conflict, the reformation, warfare, state formation, and other key aspects of the period 1500-1750.

HIS-4002A

20

INTRODUCTION TO MEDIEVAL HISTORY

This module is designed to provide an introduction to medieval history both for first year historians and students from other schools. We survey the history of medieval Europe, including England, from c.1000 to c1300, and also examine some archaeology, literature, art, and architecture from the period. We also aim to introduce students to a range of primary sources, including some of the physical remains to be found in East Anglia.

HIS-4001A

20

INTRODUCTION TO MODERN HISTORY

You will gain a wide-ranging introduction to the political, social and economic transformation of Britain and Europe from the late eighteenth century to the First World War. Among the themes, you will consider industrialisation and its impact, revolution and reform, nationalism and imperialism, gender and society, great power relations, the impact of war and the collapse of the old Europe in 1917-18.

HIS-4003A

20

Students will select 20 credits from the following modules:

Name Code Credits

HISTORY, CONTROVERSY AND DEBATE

This module challenges you to reflect on the nature of history: what it means for historians; what it means for the wider public and contemporary society; and what it has meant in the past. You'll explore the key approaches to the study of history and the conduct of historical research. You'll consider how historians have written history in the past and how they engage with it in the present, the relevance and challenges of sources and evidence, how historians present their interpretations, and the ways in which they debate amongst themselves. You'll come away with an understanding that history is rarely about the 'right' answer, but rather a series of ways of understanding and interpreting the past. You'll focus in particular on historical debate and how you can effectively analyse and interpret it. Through a mixture of both historical interpretation and historiography, you'll develop key study and transferable skills.

HIS-4009B

20

THE AGE OF EXTREMES: EUROPE 1918 - 2001

This module conveys the rich complexity of twentieth-century Europe, encouraging you to look afresh at the period. In hindsight, the epithet 'age of extremes' best describes the contradictory characteristics of a century during which total war and genocide were accompanied by growing humanitarianism, state health care and the advance of human rights. Naturally, developments during the first decades of the twenty-first century have forced historians to reconsider and revise once-accepted narratives about European modernization. Just as the trend toward increasing integration, harmonization and homogenization seems questionable in light of the crisis of the European Union, Islamism and Islamophobia believe the idea that modernization resulted in secularization and tolerance. Similarly, the demonstrable power of international finance and supranational assemblies counters narratives of popular empowerment through the triumph of representative democracy. The lectures examine themes in their respective chronological contexts: the age of catastrophe; the age of the post-war 'economic miracle'; and the making of contemporary Europe. Rather than dwelling on familiar aspects of the century that you may have previously studied, the module will also expose you to the history of Europe after 1945, Central and Eastern Europe, and developments in the US and colonies that shaped the continent. Instead of focusing narrowly on high politics, international relations and warfare, the module also aims to allow you to re-examine the century through the study of the history of population movements, land uses, urban planning and attitudes toward the past.

HIS-4006B

20

WITCHCRAFT, MAGIC AND BELIEF IN EARLY MODERN EUROPE

We examine the history of early modern Europe through the history of witchcraft, witch-beliefs, and especially witchcraft prosecutions after 1500. Through learned demonology and folk traditions, we explore the development of the idea of the witch, and see how during the turbulent era of the Reformation this thinking translated into legal trials and, occasionally some savage witch-panics. We look in detail at subjects such as gender, fear and anxiety, state building, and scepticism, ranging across early modern Britain, continental Europe and colonial America.

HIS-4004B

20

Students must study the following modules for 20 credits:

Name Code Credits

ART IN THE CONTEMPORARY WORLD

Art is a resource which can be used both positively and critically to affect the contemporary world around us. It may be exploited, most obviously for its economic value, but also for broader social or political gain. You will explore these different uses of art by addressing the factors that condition our contemporary reception of art works and visual culture. You will begin by examining some of the key methodologies for interpreting art's contemporary functions, including its capacity to create contemporary identities and world-views. You will then turn to focus on the museum and gallery as spaces for these contemporary issues to emerge, before considering the same ideas at work in more quotidian ways. And, finally, you will conclude with a reflection on your own position as art historians, anthropologists, and archeologists working with art in the contemporary world.

AMAA5090B

20

Students will select 20 credits from the following modules:

Name Code Credits

ACTION / ABSTRACTION:ART AFTER 1945

You will explore the rich history of art made after 1945, with a particular emphasis upon the problem of the relationship between the idea of art's autonomy and claims for its capacity to engage directly with social and political conditions. You will be introduced to key tendencies in art and a wide variety of artistic media made since 1945, with a (non-exclusive) focus upon Europe and North America.

AMAA5101A

20

AMA UG INTERNSHIP

You will have the opportunity to work within a creative/cultural/media organisation for a semester. The module emphasises industry experience, sector awareness and personal development through a structured reflective learning experience. You will have the opportunity to work within your host organisations and undertake tasks that will help you to gain a better understanding of professional practices within your chosen sector. Your assessment tasks will provide you with an opportunity to critically reflect on the creative and cultural sector in which you have worked, as well as providing opportunities to undertake presentations, gather evidence, and articulate your newly acquired skills and experiences.

AMA-5029A

20

CONTEMPORARY GALLERY AND MUSEUM STUDIES

You will examine how contemporary artists have explored the way in which contemporary galleries and museums function. Since the 1960s artists have adopted the museum as both subject and medium in their artworks. These seminars will examine how such projects impact on our idea of what galleries and museums are, how they operate, and what role they have in public life today. Throughout, key ideas regarding aesthetics, politics, memory, and audience participation will be approached by way of specific artworks and exhibitions. These sessions will be supplemented by workshops exploring art criticism, as well as a study trip to London.

AMAA5102A

20

Students will select 20 credits from the following modules:

Name Code Credits

ANCIENT EGYPTIAN ART

The art of ancient Egypt has been admired (and vilified), collected, and used as a source of inspiration for centuries, from Mozart's Magic Flute to the Harlem Renaissance to the Arab Spring. You will explore a number of themes in ancient Egyptian art, including the role of artists in ancient Egypt; art and religious rituals, such as mummification; and the impact of Egyptian art in the the Enlightenment, the age of colonial and imperial expansion, and up to the present day. You will visit at least one museum collection of Egyptian art (which varies depending on museum programming), and you will be able to develop a topic of special interest to you for your written coursework.

AMAA5015A

20

The Art of Architecture

During this module, you will investigate the interrelationship of drawing and architecture, addressing the topic in two ways: drawing for building, and drawings of buildings. You'll focus on the ways in which drawing has been used to represent buildings from the c.1230 sketchbook of Villard de Honnecourt to Sebastiano Serlio's illustrated treatise on architecture. You'll learn about how drawing has been used to both imagine and convey architectural subjects in the process of their planning, design and construction. We will use drawings to investigate how people have imagined buildings, engaged with architectural patrons, and provided data to inform construction. You'll also explore how artistic representations of buildings record architectural form and meaning and in doing so critique cultural, social, political and religious identities. Through the module, you will acquire skills in reading architectural drawings, and investigate buildings through the close study of images made in association with them.

AMAA5107A

20

MEDIEVAL BODIES

Born, bathed, dressed, worshipped, sexed, cut, bruised, ripped, split, buried: the human body offer historians a gateway onto understanding the cultures of the past. On this course you will examine several groups of objects from the visual culture of medieval Europe and the Middle East through this contemporary theoretical lens, building up a body of medieval artistic practice piece by bodily piece, and examining how the techniques and society of the medieval craftsman at once idolised and distorted the medieval body's forms. In previous years this course has also featured a study trip to museums and galleries in London to meet with curators and handle objects.

AMAA5086A

20

Students will select 20 credits from the following modules:

Name Code Credits

ANGLO-SAXON ENGLAND, C. 400-1066

The Anglo-Saxon period spanned 600 years from the end of Roman Britain to the Norman Conquest. It was a period of turmoil, seeing waves of immigration, the clash of peoples and religions, and kingdoms jockeying for control. Out of this crucible England emerged. This is the story of how it came to be. Using contemporary sources, you will learn to handle evidence and reconstruct the worldview of people who lived over a thousand years ago. Anglo-Saxon history teaches you to go a long way with a little evidence; to use your imagination to fill in the gaps. Whether it's new to you or something you've studied before, you'll achieve a deeper and richer understanding of how the nation was formed. Via lectures, seminars and private study, you'll discover the Romans, Saxons and Vikings; the strange treasure they left behind; the cryptic and conflicting chronicles (learning to read between the lines), and debates we still haven't resolved today. Developing your powers of argumentation, you'll run into questions with no certain answer. Building with fragmentary evidence will boost your creativity, and you'll encounter ancient artefacts. (Trips have included West Stow Anglo-Saxon village and Norwich Castle Museum.) At the end of the module you'll command an overview of how England came into being. You'll also have built your ability to see other people's points of view, even if they lived a thousand years ago. This is a crucial ability whether in personal or professional relationships. Also learning to argue with evidence as fragmentary as the evidence we'll explore will hone your problem-solving skills to an unusual degree.

HIS-5005A

20

BETWEEN EAST AND WEST: INTERNATIONAL HISTORY SINCE 1890

The beginning of the twentieth century witnessed a period of immense instability and change with the emergence of the United States as an international actor in the West and the Japanese break from the Chinese sphere of influence in the East. This was underpinned by technological developments, the expansion of global empires, extreme economic dislocation and two global wars. You will examine the conduct and content of the foreign policies of the major powers from the 1890s, with the Sino-Japanese War and the Spanish-American War, to the Japanese occupation of Asia. This will include assessing the interplay of the political, military, economic, strategic and cultural forces that shaped the beginning of the twentieth century and which continue to resonate in the contemporary world.

HIS-5065A

20

EARLY MEDIEVAL EUROPE: WARRIORS, SAINTS AND RULERS

In this module you will explore the experiences and fortunes of the peoples of the western peninsula of Eurasia between the rule of the Emperor Constantine I in the 330s and the call to crusade in the 1090s. At the beginning of the period the lands centred on the Mediterranean and much of its hinterland were situated within the Roman empire. Yet, within three hundred years, this empire had disintegrated and been replaced by a number of successor states, ruled by competing dynasties. These states included Visigothic Hispania, Vandal Africa, and Merovingian Francia. Another#in fact, the longest lived of all the successor states#was the eastern empire centred on Constantinople, long known to historians as 'the Byzantine empire'. By the close of the seventh century, many of these states had themselves been conquered by Arabic and African warriors committed to the new religion of Islam and been incorporated in the Caliphate centred on the city of Damascus#an empire which easily rivalled the might, spread, and power of Rome before its own collapse and fission in circa 1000. What Islamic rulers could do, so too could Christian ones. In 800 the son of a Frankish usurper, Charlemagne, was crowned emperor of the West. The actions and ambitions of this emperor were as formative and as formidable in the history of ninth and tenth century Europe as those of Napoleon in the eighteenth and nineteenth. The heirs and successors of Charlemagne#whether Frankish, Ottonian, or Scandinavian#were long compelled to negotiate his legacy and memory. By the eleventh century even the Roman pontiffs, now advancing a new programme of reform and renewal, were looking to situate themselves in relation to his Salian successors. The summons to liberate Jerusalem and rescue the Greek empire in the east, carefully tailored to the aspirations of the new elites of Francia and Catalonia, was perhaps the most explosive strategy advanced by these Roman pontiffs. This course is thus broad in chronological scope, covering more than eight hundred years, and extensive in geographical range, taking you from the Atlantic to the Euphrates, from the Atlas mountains to the North Sea. In the course of this journey you will meet many warriors, saints, and rulers, both female and male.

HIS-5042A

20

FRANCE FROM THE ENLIGHTENMENT TO THE BELLE EPOQUE

You will be introduced to an eventful period of history during which France exercised a preponderant role over European affairs and culture. The module will provide you with the essential background knowledge of political events, revolutions and wars but it will also encourage you to explore deeper social and cultural trends. In the first weeks we will reconsider 'Old regime' France, drawing attention to its dynamism and cultural richness before turning to the crises that discredited Bourbon absolutism. In subsequent weeks we will focus on the Revolutionary-Napoleonic epoch: our endeavour here will be to explain why the Revolution was revolutionary in theory, violent in practice and dictatorial in consequence. We will then reflect on the Restoration. Using extracts from Hugo's Les Miserables as our starting point, we will look at how rapid industrialization generated social tensions that successive ministries tried to diffuse through repression and reform. Next, we will look at the France of the Second Republic and Second Empire; our focus here will be Napoleon III's modernization initiatives and dramatic remodelling of Paris. Finally, we will approach the history of the Third Republic between 1870 and 1914 from three angles: its success in making the populace feel French; science, art and culture; and its nationalistic foreign policy, which contributed toward undermining the general European peace. The seminars for this module will provide us with an opportunity to analyse and discuss in depth an eclectic range of primary sources, including textual documents (in English translation) ranging from constitutions to period fictional writings, maps, advertisements, artwork, extant material and architectural evidence, and music.

HIS-5059A

20

HERITAGE AND PUBLIC HISTORY

What shapes our view of history and heritage? How do we balance academic approaches with the need to engage an audience? How do we assess the significance of historic buildings and sites? You will explore these questions by studying the ways in which history is presented in the public sphere, in museums and galleries, at heritage sites and historic buildings, in the media and online. Through lectures, seminars and field trips you will gain an understanding of different current approaches to history and heritage, exploring themes such as the role of museums, the commemoration of historic events and the development of digital heritage.

HIS-5026A

20

IMPERIAL RUSSIAN AND SOVIET HISTORY, 1861-1945

This module examines some of the main themes in Russian history between the Emancipation of the Serfs and the outbreak of the Second World War. We will look at the nature of industrialisation and the peasant economy, the autocracy and its fall in 1917, the revolutionary movement and the nationalities question. We will then examine how the Revolution of 1917 changed the state and the ways in which the Communists attempted to change society before 1929. We conclude by examining the country during the era of the five year plans and the impact of the Stalinist system on the Soviet Union before the outbreak of world war.

HIS-5019A

20

JAPAN IN MODERN TIMES

In just a few decades Japan emerged from its feudal and isolationist condition and became a thriving capitalist nation-state with imperialist ambitions on the world's stage. From the mid-nineteenth century onwards, the country re-invented itself, combining the strength of its traditions with Western models of government, economic management, social structure and culture. Samurai gave way to elite bureaucrats; a skilled industrial workforce gradually displaced the peasantry; education expanded with remarkable speed; new infrastructure transformed the physical landscape. New patterns of daily life, social tensions and cultural aspirations accompanied these changes. The aggressive expansionist policy and authoritarianism of the 1930s precipitated the country into a war with devastating consequences, only for Japan to resurrect itself as a global industrial power and stable democracy in the post-war era. This module examines this process of transformation from circa 1850, when Western powers pressured Japan into opening to international trade, to the oil shock of the 1970s that brought an end to Japan's high growth phase. You will pay attention to the intellectual and cultural trends that informed Japan's development, and investigate concepts such as revolution, national identity, civilizational discourse, late imperialism, and historical memory. You will also explore social and economic change as reflected in lived experience, for example in farms and villages at the turn of the century; on the home front during the Russo-Japanese War; in bustling cities during the Taisho era; in colonial outposts before and during the Pacific War; and in occupied Japan afterwards.

HIS-5066A

20

MODERN GERMANY, 1914-1990

We will introduce students to German history in the twentieth century which was characterised by various radical regime changes and territorial alterations. Topics include German world policy and nationalism in the late imperial period; imperialism and expansionism during the First World War; the challenges of modernity in the Weimar Republic; the rise of Hitler and the formation of the Nazi empire in Europe; the post-war division of Germany and the legacy of the Third Reich; the nature of the German Democratic Republic (GDR) dictatorship and the problem of West German terrorism; as well as the fall of the Berlin Wall and reunification. Special attention will be given to questions of nationalism and national identity, issues of history and memory, and Germany's role in Europe and the world. On completion of this unit, students will have developed a solid understanding of one of the most dramatic periods of German history when the country oscillated between the two extremes of war and repression, on the one hand, and the return to peace and democracy, on the other.

HIS-5018A

20

REFORMATION TO REVOLUTION

You will examine three centuries of European history connecting two unprecedented revolutionary epochs: the Reformation of the 16th century and the American and French revolutions at the end of the early modern era. We will look at key themes and movements in these centuries, including the politics of the Reformation; the Mediterranean work of the Ottomans and Habsburg Spain; the Dutch Golden Age; the great political and religious struggles of the 17th century, including wars in the British Isles, the Holy Roman Empire, and the Baltic; the Russia of the Romanov czars and Peter the Great; the growth of centralised states and absolutism in France, Prussia and Austria; the Enlightenment; the rise of the Atlantic economies; and the challenge to the Old Regime from revolutionary politics.

HIS-5025A

20

THE FIRST BRITISH EMPIRE

Between the 16th and the early 19th centuries, the English crossed the oceans and claimed territory on every continent other than Antarctica. This module surveys the creation and growth of British Empire, examining its origins and its impact on an array of peoples. In the context of studying how the empire spread and functioned, we'll consider the varied experiences of Africans, Native Americans, Aboriginal Australians, Protestant refugees from the continent of Europe, the peoples of India, the Irish, and British settlers across the globe. The complex, intimate, and often violent interactions of these groups led to ideological battles pitting loyalism against republicanism, for example, and imperial "civilisation" against an array of indigenous cultural revivals. At first glance these struggles may seem to place the British against the subject peoples of their empire, but on closer examination it becomes apparent that they fractured nearly every population within the imperial domains. The creative energy of the British Empire stemmed in large part from collaborations between British groups and individuals and segments of their purported imperial subjects in building, reforming, or in some cases seeking to destroy the structures of imperialism.

HIS-5045A

20

THE ORIGINS OF THE ENGLISH LANDSCAPE 4000BC TO 1066AD

We will study the development of the English landscape from early prehistoric times to the late Anglo Saxon period, and you will learn to identify and interpret key landscape features from the Neolithic, Bronze and Iron Ages before moving on to study Roman and Anglo Saxon landscapes. Lectures, seminars and field trips will provide you with an introduction to the approaches and sources used by landscape historians and landscape archaeologists. You will develop your understanding of landscape history through the study of key sites such as Stonehenge, Hadrian's Wall and Sutton Hoo. The chronological approach of the module will provide you with an understanding of long term landscape change, telling the story of the English landscape from prehistory to the eve of the Norman Conquest.

HIS-5002A

20

THE RISE AND FALL OF BRITISH POWER

You will examine Britain's expansion and decline as a great power, from the end of the Napoleonic Wars to the mid-twentieth century. During this module, you will consider the foundations of British power, the emergence of rivals, Britain's relationship with the European powers and the USA, and the impact of global war. You will also investigate the reasons for Britain's changing fortunes, as it moved from guarding the balance of power to managing decline.

HIS-5011A

20

TUDOR ENGLAND

The Tudors are England's most famous royal dynasty. This module seeks to move beyond the traditional stories of Henry's turbulent marriages and Elizabeth's stunning victory over the Spanish Armada. You'll gain a better understanding of the change and turmoil the Tudor century caused, not just to the monarchs themselves but to the lives of their subjects, the everyday people of England. Beyond establishing a strong chronological knowledge of the 16th century and its religious upheavals, the module will consider issues of gender; the changing construction of the social order; the importance and developing role of local elites; problems caused by poverty and dearth; and the position of England within Britain itself and within Europe.

HIS-5067A

20

WOMEN, POWER, AND POLITICS (I): ISABEL OF CASTILE TO MARY WOLLSTONECRAFT

This module examines the issue of gender in European history, between 1500 and 1750. Using a variety of written and visual sources, and including a comparative element, we focus on the following themes: definitions of femininity and masculinity; marriage, family and life cycles; queens and queenship; honour and sexual identities; charity and welfare; women and work; material culture; women in the new world; education and learning; early feminists.

HIS-5064A

20

Students will select 20 credits from the following modules:

Name Code Credits

AMERICA IN THE WORLD: THE HISTORY OF U.S. FOREIGN RELATIONS

Has the United States helped or harmed the rest of the world during its rise to world power? Why has it been, and continues to be, involved in every corner of the globe? This module offers a critical introduction to understanding the history of U.S. foreign relations. You will explore the key themes and traditions that have informed America's approach to international affairs, from foundational ideas in the eighteenth and nineteenth centuries to increasing influence in the twentieth and twenty-first centuries. In addition to analysing traditional political and diplomatic issues, you will consider the link between foreign and domestic policies, and the role of various state and non-state actors that have shaped America's actions abroad. You will work with original primary sources, the latest secondary literature, and a range of cultural and political texts including speeches, newspapers, and editorial cartoons. This broader consideration of foreign relations history engages important contemporary trends in the historiography of U.S. foreign policy - regarding race, gender, and the "international" and "cultural" turns - and connects them to emerging trends in the fields of American history and international relations. As a result, you will gain a detailed understanding of the history of U.S. foreign relations and the legacies that continue to shape debates about America's role in the world today.

HIS-5069B

20

ANATOMY OF A CITY: PARIS, 1682-1815

Through this module, you will encounter the largest, most dynamic city in the wealthiest and most populous nation in eighteenth-century Europe. Against a backdrop of France's fraught politics between the age of Louis XIV and the Revolutionary-Napoleonic era, you will gain an intimate sense of Paris as a changing urban space that provided a stage for radical experimentation in everything from art and fashion through to high finance and luxury lifestyles. You will grasp how Paris during the enlightenment functioned at different levels, from the removal of garbage to enforcement of justice. This will involve delving into a rich variety of textual and visual sources alongside extant material evidence from the city itself.

HIS-5066B

20

CONSPIRACY AND CRISIS IN THE EARLY MODERN WORLD

Assassination. Foreign invasion. Revolt and rebellion. Political and religious plots loomed large and posed a constant threat in Early Modern England. Conspiracy was not simply an imagined threat nor did it exist in theory; it was a social and political reality that elicited fear, shaped policies and gave rise to self-fulfilling prophecies. Did the greatest threat of subversion come from popular uprisings, foreign invasion or from the heart of the British government? From Mary, Queen of Scots and the Gunpowder Plot to the hidden agenda of Charles I, this module will survey a series of popular, elite and royalist conspiracies. Moving behind official narratives, it will draw on a host of resources to investigate alternative explanations for crisis over power, authority and legitimacy during this period. Each conspiracy will provide and point of entry into broader changes in early modern society as the crown and commons reimagined and realigned political, religious and social boundaries.

HIS-5027B

20

FROM AGINCOURT TO BOSWORTH: ENGLAND IN THE WARS OF THE ROSES

You will explore one of the most turbulent and dynamic periods in English history: c.1400-1485. In addition to exploring the narrative of events as it unfolded chronologically you will also learn about topics such as: theories of medieval kingship, the relationship between church and state, the relationship between England and Continental Europe, medieval warfare, chivalry and knighthood, the relationship between national and local concerns, and the opportunities for people of all genders to participate in political struggle. You will have the opportunity to read a wide range of primary sources as well as considering key historiographical debates. Upon completion of your module, you should have a more nuanced understanding of the exercise of power in the 15th century and how the deeds and decisions of those in charge impacted the lives of people further down the social spectrum. You should also have honed your skills in primary source analysis and historiographical scrutiny.

HIS-5009B

20

FROM HASTINGS TO THE HUNDRED YEARS WAR: NORMAN AND PLANTAGENET ENGLAND 1066-1307

This module examines a critical period in English History. We begin with the Conquest of England by the Normans and look at the ways in which as a consequence England was drawn into European affairs. Our mid point is the loss of those continental lands in 1204 and the Magna Carta crisis of 1215. We then explore the domination of Britain by the English kingdom and end with the start of England's next great European adventure, The Hundred Years War.

HIS-5007B

20

FROM STALIN TO PUTIN: THE LONG SHADOW OF THE WAR

World War II and the immense sacrifices the Soviet people made in defeating Nazism left multiple long-lasting legacies that shaped the multi-ethnic Soviet and post-Soviet Russian state, society and economy. This module aims to give students a better understanding of the state of contemporary Russian politics, society and economy through detailed historical enquiry of Russia's path since 1945. The module is divided into two main parts: week 2-8 will examine key periods of post-war Russian history in chronological order, while week 9-13 will look more closely at key contemporary in their historical perspective. These will include the question what it meant to be Soviet and its legacy; geopolitical imperatives, which only recently led Putin to invade Crimea; identity politics and historical commemoration; the transition of the economy from a planned economy to a market economy; and the complex mutations and adaptations of power structures in Russia that gave birth to Putin's 'managed democracy'.

HIS-5065B

20

HISTORY OF MODERN ITALY

Since the unification of the states of the Italian peninsula, the history of modern Italy has been the subject of intense historical debate. Modern Italy has often been cast as a 'weak' state and 'fragile' nation, riven by particularism and by competing secular and religious ideologies, 'economically backward,' less successful than its national neighbours, and 'the least of the Great Powers.' More recent historiography has sought to challenge or modify these perceptions in a number of ways, and this course examines modern Italian history from unification to present day, in the light of these ongoing historiographical debates. You will consider: a) Italian nationalism, the process of Italian unification and the attempts to create national unity after 1870 b) the relationship between socio-economic change and political development in Liberal Italy c)the impact of the First World War on Italian society and politics e)the nature of the Fascist regime and its impact on Italian society f)the radicalisation of the regime, its racial policies and the quest for Empire g)Italy's role in World War II, the reasons for the collapse of the Fascist regime, and the emergence of civil war h) Italian history since 1945.

HIS-5060B

20

HISTORY OF NORWICH

On this module you will study the history of Norwich from the Norman Conquest to the present day. Throughout you will discover a range of approaches to the study of urban history, using original documents, archaeological finds, maps, photographs and historic buildings. The city of Norwich will be our main focus, but you will also draw on other comparative examples around England, such as London, York, Exeter or Leeds, to place the development of Norwich within its wider context. You will combine social, political and economic history with a consideration of the built environment of the city; key buildings, open spaces and street patterns. As well a mixture of lectures and seminars, you will be able to learn from regular field trips into Norwich to explore historic buildings, museum collections and landscapes.

HIS-5068B

20

HUMAN RIGHTS: THE HISTORY OF AN IDEA

Reading key historical, philosophical, political, legal and literary texts, in this module you will track the emergence of human rights as a cultural idea from their conception in the 18th century, through the development of political rights and humanitarianism in the 19th century. Reviewing the Nuremberg trials and the United Nations of Declaration of Human Rights (UDHR), into the post- World War Two period and up to the present day. We will trace how the idea of human rights developed at key junctures, and untangle their relationship to political and historical change.

HIS-5070B

20

LATER MEDIEVAL EUROPE

You will examine the political, cultural and social history of later medieval Europe (circa 1100-1400). It has a particular focus on the Empire and Italy, but we will also look at France and Constantinople. We will encounter some of the chief characters of the period, such as Emperors Frederick Barbarossa and Frederick II, 'the Wonder of the World', and Pope Innocent III. You will be introduced to some of the most important events and concepts to shake medieval Europe, such as the intellectual Renaissance of the twelfth century, the Crusades, the rise of Heresy and the Inquisition, the Empire's long struggle in Italy, and the Papal Schism.

HIS-5006B

20

LATIN FOR HISTORIANS

This module provides an introduction to the linguistic skills in medieval Latin which enable students to read administrative documents such as charters, accounts, court rolls, etc. It is particularly suited for those who intend on proceeding to postgraduate study in aspects of the past, such as medieval history, which require a reading knowledge of Latin. This course is not intended for students who have already studied Latin to A level or equivalent.

HIS-5004B

20

NAPOLEON TO STALIN (and beyond): THE STRUGGLE FOR MASTERY IN EUROPE

We deal with the rivalries of the Great Powers from the end of the Napoleonic Wars to the onset of the Cold War and its end with collapse of the Soviet Union in 1991. We shall be examining topics such as the Vienna system; the Crimean War; Italian and German unification, the origins of the First and Second World Wars and the Cold War period.

HIS-5017B

20

PROPAGANDA

This module introduces you to the history and theory of propaganda, and its role in society. You'll consider what constitutes and defines propaganda. Focusing on the 20th century, we examine propaganda in a range of political settings, both totalitarian and democratic, in the local context of the relationships of power and communications. The module is structured chronologically, starting with the development of propaganda during World War I and finishing with a consideration of propaganda in the 21st century.

HIS-5050B

20

STUART ENGLAND

We will explore the dramatic century of Stuart rule in England. This 'century of revolution' included the union of the English and Scottish crowns, the dramatic upheaval of the civil wars, and the continued political instability that led to the birth of political parties and the Glorious Revolution. While exploring these political themes we will also consider developments such as: the birth of modern news culture, crowd politics, civil society and coffee shops, the origins of empire, state formation, and the emergence of England as 'a nation of shop keepers' and Europe's great 'constitutional monarchy'.

HIS-5067B

20

THE BRITISH WORLD

We survey the history of the British Empire from the mid-19th century to the years of decolonization. How did Britain come to rule the largest empire in world history and what factors brought about the empire's eventual demise? At its height in 1919, the British Empire stretched over a quarter of the globe and included almost a third of humanity, with a staggering 458 million people spread across 13 million square miles. You will be introduced to the diverse groups of British people who manned the empire - including missionaries, soldiers, settlers and colonial civil servants - and to the various ways that colonised people survived and contested British colonial domination. You will discover what everyday life was like under British colonial authority in the 19th and 20th centuries. We will investigate key moments of crisis in the empire, from the Indian Rebellion of 1857 to the Mau Mau Uprising in Kenya in the 1950s, considering the local and global causes of these events, what people in these anti-colonial movements were fighting for, and how they came to transform global understandings of political sovereignty, citizenship and racial equality.

HIS-5013B

20

THE COLD WAR: A NEW HISTORY

You'll analyse the emergence, development and end of the Cold War. In doing so you'll explore the historical circumstances behind the conflict, relations between the United States of America, the Soviet Union and other states, as well as the impact of nuclear weapons. The Cold War has been revisited by historians from various angles, and in a variety of ways, in recent years and this module is structured to enable engagement with these new histories. You'll take account of developments traditionally viewed as central to the history of the post-war era, while exploring lesser known case studies and alternative spheres where the conflict played out. This will include coverage of a range of states in Europe and beyond. Broader themes, such as the role of propaganda, sport and youth will also be considered, as will the overarching bodies of the United Nations, the Non-Aligned Movement and the emerging European project. The module concludes by asking why the Cold War ended so abruptly and why the process was peaceful in some cases and violent in others.

HIS-5024B

20

THE ENGLISH LANDSCAPE 1066 TO 1600

You'll examine the development of the English countryside during the Middle Ages. You'll discuss the nature of rural settlement, high status buildings and landscapes and 'semi-natural' environments.

HIS-5003B

20

THE MODERN MIDDLE EAST

We will look at the modern history of the Middle East, primarily concerning the political history of the region as well as relations between Middle Eastern countries and Western powers. Our aim is to encourage students to think critically about historical processes of state formation, the legacy of colonialism/imperialism, the role of culture and identity, and the significance of natural resources and economic factors.

HIS-5048B

20

TWENTIETH-CENTURY BRITAIN, 1914 TO THE PRESENT

The Great War transformed domestic expectations and ushered in an age of Mass Democracy and economic hardship. After 1945 the welfare state and full employment saw rising affluence, accompanied by the emergence of youth cultures, a sexual revolution and new forms of radicalism and identity politics. The economic crisis of the 1970s sped-up deindustrialisation whilst the neoliberalism of Thatcher and her successors deepened inequalities and stoked nationalist sentiment. In this module, you will explore the social, political and economic history of these tumultuous years.

HIS-5057B

20

WOMEN, POWER AND POLITICS II, THE DUCHESS OF DEVONSHIRE TO NANCY ASTOR

You will explore female involvement in politics, from the Duchess of Devonshire's infamous activities in the 1784 Westminster election until 1919, when Nancy Astor became the first woman to take her seat in the House of Commons. You will examine topics including the early feminists, aristocratic female politicians, radical politics and the suffragettes. You will investigate the changes and continuities with female engagement with the political process from the 18th century through to the 20th century.

HIS-5063B

20

Students will select 20 credits from the following modules:

Name Code Credits

AMERICAN ART AND AMERICAN PHOTOGRAPHY 1900-1950

You will explore the relations between art and photography in the United States in the first half of the 20th century. The central debate in American modernism has concerned the role of the medium, and considering photography in relation to the other visual arts permits a reassessment of this debate. Artists and photographers examined include Alfred Stieglitz, Georgia O'Keeffe, Marcel Duchamp, Diego Rivera and Walker Evans.

AMAA5002B

20

ART AND ARCHITECTURE IN VENICE

Positioned at the hub of trade routes which spanned out across the known world, the city of Venice was a major commercial and political power during the medieval, renaissance, and early modern periods. It also grew to be one of Europe's most important centres of artistic production, with Venetian painters, sculptors, glassmakers, and architects channelling their city's diverse multiculturalism into a vast range of influential artworks. You will examine the development of art and architecture in the city from its earliest foundations through to the present day, tracing the aesthetic and urban history of what its inhabitants came to call andquot;La Serenissima,andquot; the most serene city on earth. In previous years this module has featured a study trip to Venice.

AMAA5093B

20

INDIGENOUS ARTS AND INDIGENOUS PEOPLES

You will begin by analysing what is meant by Indigenous arts and peoples. In particular, we shall consider the link between the anthropology of art and Indigenous identity. The inter-disciplinary approach continues, by examining issues related to the interpretation of indigenous arts in wide-ranging geographic and cultural contexts from North America, to India and Australia. It then questions Indigenous peoples' engagement with notions of ethnicity and heritage, as well as the formation of an 'Indigenous media' through film-making.

AMAA5004B

20

RENAISSANCE RECONSIDERED

Fourteenth and fifteenth-century Italy was shaped by the growth of urban centres and the development of new political, social, and sacred institutions. New patrons and uses for artworks prompted a wealth of artistic activity that responded to and also forged contemporary values, beliefs and identities. Bankers, merchants, mercenaries, and religious institutions exploited the power of art and architecture to promote their professional interests, ambitions, and families. But was the Renaissance all that it seemed? We will reconsider some of the most famous (and infamous) artists and objects from renaissance Italy, questioning traditional assumptions about the nature and function of art during this period. Each week you will explore a selection of buildings, paintings, and sculpture alongside renaissance literature and modern theory, building a new and richer picture of this critical cultural moment.

AMAA5097B

20

Students must study the following modules for 30 credits:

Name Code Credits

DISSERTATION

On this module you will undertake a research project on a topic related to your specialised interests, in consultation with an appropriate member of ART Faculty, leading to a 9,000 word dissertation.

AMAA6112B

30

Students will select 30 credits from the following modules:

Name Code Credits

ARTS OF THE PACIFIC: AGENCY OF REPRESENTATION

Representations are not unconditional or without engagement. In this module, representation is not merely understood as praxis, but as praxis with agency. Following Alfred Gell's notion of the agency of art, we will consider representation as a process that not merely describes, displays and communicates, it also does. Clues to its agency lie in the processes from which it emanates and in which it eventuates. We will discuss contemporary views on the Pacific by particularly focusing on the role of visual and material culture in these representations. The aim is to promote a critical awareness of what artefacts socially do in the Pacific, to understand how they materialise relationships, are condensations of knowledge and how people use these forms to engage with their life worlds.

AMAA6123A

30

PUBLIC ART, PERFORMANCE AND MEMORY

Intense debates rage around monuments that represent historical figures as our most celebrated heroes. But why are our monuments epicentres of public debate and political contestation? This module examines how and why public art and performances commemorate historical events. To find answers to these questions, you'll study the monuments that remember the First World War, the Holocaust, the Slave Trade and Colonialism. But you will also be encouraged to ask how memorials makes us remember and, indeed, whether there are alternative ways of remembering. You'll study commemoration in spirit possession, pilgrimage, and popular music. Considering case studies from across the world, you will review the role of memory and commemoration in the constitution of our society. This module encourages you to consider why alternative forms of memory are required for a more just society.

AMAA6135A

30

THE GOTHIC EYE

An altarpiece is dismembered and hung on a gallery wall, an ivory comb is locked within a display case, a manuscript closed in a museum. The way in which we encounter medieval artworks today is radically different from the time of their creation. What affects the ways in which we see these works now, and how were they seen when they were first created hundreds of years ago? Is it possible to look at Gothic art through 'Gothic eyes'? Merging science, faith, philosophy, and material histories, you will explore the changing experiences of viewing medieval art. The theme of 'vision' will be your guide through the a spectrum of medieval objects drawn from across northern Europe. Each week you will investigate a different theme # such as light, mirrors, space, veils, and dreams# in relation to a set of related artworks, medieval texts, and modern theories. As the course progresses, you will turn from actual vision to imagined vision, investigating how medieval artists pictured dreams, visions, and impossible things.

AMAA6134A

30

MAPPING WORLDS

Mapping helps us to conceive of abstract concepts in tangible visual form. Be it geographical notions of the globe and the heavens, or more complex outlines of the body, the mind, time, even history, a map helps to bound and give features to otherwise inexplicable space and knowledge. This course uses historical maps and modern theories of cartography as the jumping-off point for an in-depth investigation of the visual and imaginative cultures of Europe and the Middle East from the prehistoric and classical eras through to the Middle Ages and Renaissance. In previous years this course has also featured a study trip to museums and galleries in London to meet with curators and handle objects.

AMAA6121A

30

Students will select 30 credits from the following modules:

Name Code Credits

ALTERNATIVE MODERNISMS

This module is about the role of modern art in the making of India's national identity. It addresses probing questions, notably 'When was Modernism in Indian Art?' Since the beginning of the 20th century, artists and other cultural producers in India, such as film-makers, educationalists and anthropologists, sought to dismantle the colonial concepts that once framed their histories and identities. You will explores how artists such as Nandalal Bose, Ramkinkar Baij and Rabindranath Tagore established cultural exchanges with diverse national and international communities in the early- to mid-20th century. It considers the many new artistic and cultural formations that emerged via the Bengal School and related movements, raising important questions concerning the meaning of the relationships between the local and the national, the future and the past, and the visual and the spatial. Including debates on issues as diverse as identity/difference, visual display, internationalism, cultural heritage, and the politics of representation, the module is of potential interests to students in the Faculty of Arts and Humanities (notably the School of Art, Media and American Studies) including those with a specific interest in art history, anthropology and museum studies.

AMAA6131A

30

ART AND ARCHAEOLOGY OF ANCIENT IRAQ AND IRAN

Ancient Mesopotamia, what is now Iraq and parts of Iran, is recognisable today by two of its most impressive and powerful cultures, the Sumerians and the Assyrians. Situated between the Euphrates and the Tigris Rivers, Mesopotamia remained largely autonomous for nearly 3000 years, during which time its power and influence over neighbouring regions ebbed and waned. At the heart of Mesopotamian society was competence and skill in a broad range of arts and crafts, but it is most famous for being the world's first literate society. Along with writing, the glue of Mesopotamian society was cultic practice and religious belief, most visibly attested to in the art of temples and burials. At all periods art was fundamental to Mesopotamian culture; it coloured their rituals and beliefs, it was integral to their writing system, and was used in both politics and warfare. You will explore the significance of artistic practice in the development of Mesopotamian society.

AMAA6137A

30

Camps in History and Memory: The 20th Century in Detentions, Migrations, and Exploitation

The late philosopher Zygmunt Bauman called the 20th century 'a century of camps'; for him, camps were testing grounds for totalitarian regimes. In this module, you will study the history of the violent last century through the unique lens of camps: concentration camps, forced labour camps, POW camps, refugee camps, and others. Through diverse material selected for the course, you will analyse the well-known events of the 20th century by looking at camps as places of detention, indoctrination, re-education, labour exploitation, and extermination. This unique angle provides insights into the politics of great totalitarian powers, as well as their models for organising and governing society and interacting with other nations of the world. Camps did not appear out of nowhere; each place of detention was part of an institutional network driven by divergent aims: to contain, correct, re-educate, punish. You will study these networks within their historical contexts, using diverse materials specific to each case. Also, a study of camps cannot be limited to camp walls and barbed wire; while static themselves and built to limit people's movements, camps were ironically dependent on the movements of people from place to place. Thus a study of camps inevitably involves the study of forced migrations. To acquaint you with the less studied side of global, regional and transnational interactions, a variety of sources, analyses, and methods will be used in order to make sense of international regimes of detention, control, and punishment.

HIS-6086A

30

FIELDWORK IN LANDSCAPE HISTORY

Fieldwork is a key part of landscape history and this module will give you hands-on practical experience of a range of landscape survey methods. Our fieldwork week will take place during the summer and will provide you with training in various survey techniques that can be applied to earthworks and buildings. Your surveys will form the basis for site drawings and a research project on the site we have surveyed. Seminars and field trips will take place in the Autumn semester and will cover topics such as drawing earthwork plans and carrying out original research using archive maps and documents. By the end of the module, you'll be able to recognise and interpret historic landscape features in the field and use a combination of survey work and original research to understand them.

HIS-6017A

30

IMPERIALISTS, PASHAS and REVOLUTIONARIES: IRAQ, 1914-2003

We explore the eventful and troubled history of modern Iraq. Taking its starting point in the nineteenth century, when Iraq was part of the Ottoman Empire, the module explores how the country came under British tutelage following the Great War and how it subsequently experienced a turbulent history as various political actors sought to wrest control of the newly established state. We pay special attention to key moments when the course of Iraq's history changed, such as wars, military coups, and revolutions, but also periods in between when society returned to some sort of normality. It will particularly focus on the rise of political ideologies, especially Arab nationalism, and its local counterpart, Iraqi nationalism - but also other ideologies such as socialism, communism and Ba#thism. Saddam Hussein's domination of the country (1979-2003) is also an important element of the module.

HIS-6020A

30

MODERNISM AND GENDER: FRANCE AND GERMANY 1900-1939

On this module you will study some of the most important modernist artists of the first part of the twentieth century. We will explore the work of male and female artists and also consider how gender structures representation and art practice. The module provides an opportunity to reconsider key works by Henri Matisse, Pablo Picasso, Paula Modersohn-Becker, Suzanne Valadon, Hannah Hoch and Claude Cahun, amongst others.

AMAA6128A

30

Nationalism in Europe since 1789: Shaping Identities in the Age of Modernity

You will examine in depth the history of nationalism in Europe from the late eighteenth to the twentieth century. The central theme is the relationship between the rise and development of nationalism and the shaping of images and discourses about Europe. You will consider and compare the strength of nationalism to the weakness of Europeanism in order to improve your historical understanding of identity formation processes in the modern age. In this sense, it does not consider the nation and Europe as being one the denial of the other, but as forces interacting in complex ways and, in given instances, feeding upon one another. Centred on this theoretical concern, you will be offered a broad survey of the history of nationalism from the Age of Enlightenment to the European integration process, explaining how it has developed into a mass movement and an ideology affecting so deeply the life of millions of individuals across Europe. The perspective used will be that of the cultural historian and the historian of ideas and ideologies. A variety of different primary sources - including pictures, novels, private correspondence, newspaper articles, political tracts and pamphlet, history books, films, songs, etc# - will be used to highlight, on the one hand, the ambiguities of modern nationalism, to explain its quasi-religious nature and explore its strength and resilience. On the other hand, they will help us investigate how and to what extent discourses about Europe affected, after the Second World War, one of the greatest projects of political engineering ever attempted, highlighting the economic success of EU integration and considering its incapacity to create a strong attachment to EU institutions. The course is interdisciplinary in nature. While it is essentially addressed to historians, especially if you are interested in cultural history and in the history of ideologies, it also considers sociological issues and topics that would appeal if you are interested in politics.

HIS-6019A

30

ROBIN HOOD: THE MEDIEVAL OUTLAW IN HISTORY AND LEGEND

We will examine the wider subject of resistance to royal authority by men who become outlaws and their portrayal in popular legend from the Norman Conquest of England to the twentieth century with its focus being the outlaw for whom the name Robin Hood has become an archetype. We will examine the stories of medieval outlaws before going onto look at the Robin Hood tales in particular. We will then follow Robin Hood into the early and modern periods, through children's literature and on into the modern renditions of Robin Hood in film and in pantomime.

HIS-6078A

30

SLAVERY IN THE EARLY MODERN ATLANTIC WORLD

You'll begin by surveying African, Native American and European labour regimes in the 15th century, in order to establish a foundation for studying the transformations that followed European imperial expansion and the inauguration of the transatlantic slave trade. We'll examine the process of enslavement in Africa, North America, and the Mediterranean; the ransom, exchange and sale of captives; and the development of slave markets in the European colonies in the Americas. We'll study childhood and family life in various enslaved communities; the material lives of slaves; and the rise of distinct cultures within the African diaspora. We'll compare the Portuguese, Spanish, Dutch, French and British Empires with regard to the practice of slavery. We will also trace patterns of slave resistance, escapes, rebellions, and the creation of maroon communities. The semester will end by examining of the tangled international politics surrounding the abolition of the transatlantic slave trade and the end of plantation slavery across the Atlantic World.

HIS-6081A

30

The British Civil Wars

We will look at the causes, course and significance of what, in terms of relative population loss, was probably the single most devastating conflict in British history: the civil wars and interregnum of 1640-1662. Families, villages and towns were divided. Hundreds of thousands died, from warfare, disease, and the disruption of food supplies. And by the late 1640s, some began to question the very basis of authority in early modern society; the king was executed, monarchy and the House of Lords was abolished, the national Church was all but disestablished. Yet by 1660 the revolution collapsed, when, remarkably, Charles II was invited to return Stuart rule to Britain and Ireland under powers largely equal to those his father enjoyed before the civil wars. We will explore these themes and questions and more through key sources and new discoveries.

HIS-6084A

30

THE CRUSADES

We will consider the history of the Crusades and the Crusader States from 1095 to 1291, covering a broad range of themes, religious , military and social, and taking into consideration the relations between Christians and Moslems in the Holy Land. Particular attention will be paid to primary sources, which are abundant and available in English translation.

HIS-6001A

30

THE ROAD TO ARMAGEDDON: BRITAIN AND THE ORIGINS OF THE FIRST WORLD WAR

The First World War was the 'seminal catastrophe' of the twentieth century (George F. Kennan). It was, perhaps, the most crucial event in the self-elimination of Europe as the power-house of international politics. It also marked the beginning of the decline of Britain as a great power. We seek, through the study of relevant case studies, to examine Britain's changing relations with the other Great Power relations during the period between the close of nineteenth century and the July crisis 1914. The primary focus will be on diplomacy and strategy in action, on arms races on land and at sea, on foreign policy-making and on the factors, internal and external, which influenced decisions.

HIS-6085A

30

VICTORIAN UNDERWORLDS

You will be introduced to the darker side of life in Victorian Britain. Though this was undoubtedly a period of economic prosperity, not everyone shared in the gains. You will look at those who, for reasons of poverty or 'deviance' were confined to the margins. Topics include the criminal and insane, gender and insanity, prostitution, drink, slums, the London Irish, and Jack the Ripper. By looking at the margins and the misfits, we will seek to gain a deeper understanding of British society in the 19th century.

HIS-6026A

30

YOUTH IN MODERN EUROPE

The importance of youth as a driving force for social change has been recognised by many historians. Young people were often at the forefront wherever revolutions took place, wars were fought and tensions in society erupted. However, the historical study of youth is still a relatively young discipline. This module uses 'youth' as a prism to study key themes in 20th century European history, such as the experience of war, life under dictatorship and the longue duree of social change. We shall examine the diverse experience of youth in Western and Eastern Europe during war and peace times, including the Communist and Nazi state-sponsored youth systems, and also the way in which generational experience and conflicts became underlying forces for social and political change. The module employs a strong comparative approach and countries studied include France, Britain, the Soviet Union, West and East Germany, Poland, Hungary and Czechoslovakia. The seminars will be accompanied by several film screenings.

HIS-6023A

30

Students will select 30 credits from the following modules:

Name Code Credits

APOSTLES OF SATAN? HERETICS AND HERESY

Heresy, the deviation from doctrinal orthodoxy (right-belief) was perceived to be an acute problem for society in the high medieval world. After centuries with little disturbance of the orthodox consensus of the Christian West, the eleventh through thirteenth centuries saw an explosion of apparent dissent from Church teaching. Hand-in-hand with the emergence of heresies came a Catholic response, in the form of preaching, written polemics, crusades, and judicial persecution in the form of inquisitions. Heresies arose in a multitude of contexts, from royal courts to university schoolrooms to the petty castles of the rural countryside. We will explore not only what different heretics believed and behaved, but also how they were shaped by their own environments as well as the hierarchies that persecuted them. By examining narrative histories, model sermons, polemical treatises, heretical scriptures and rituals, and inquisitorial deposition records, we will explore the necessary role that heresy plays in the construction of orthodoxy, while also listening closely to the heretical voices that have survived to uncover how these men and women imagined and inhabited their world.

HIS-6091B

30

CONTESTING THE PAST: REPRESENTATION AND MEMORY

In this module, you will explore how the past is constantly constructed and reconstructed in the present. In the first part of the module we will consider how mnemonic processes are created, by who, and for what purpose. Commemoration, memorialisation, and visual representations form a key part of this process. In the second part of the module, we will study the ways in which individuals and groups remember and how this often differs from official or mediated discourses. In the third and final part, we will explore various 'memory conflicts' and their present day consequences. Throughout, film, photography, visual and audio media, and oral history will form key components of our studies.

HIS-6077B

30

DEATH IN THE MIDDLE AGES

In medieval England, death and what lay beyond were constantly visible. Parts of the landscape were given over to the dead: there were barrows, haunted by the pagan dead; cemeteries for the Christian dead; and lonely hermitages, whose occupants spoke with the dead. 'King Death', shown as a skeleton with spear or bow, would strike down the living at any age. Ghosts wandered forth from the grave, and vivid images of the dead were painted in churches, haunting churchgoers every Sunday, dancing before their mind's eye in their dreams. Visions of the dead were not uncommon, and sometimes they made such demands on the living that the latter spent their lives serving them. Studying death, you will learn about the impact of this universal and timeless fear, and you'll discover the role of belief systems in combating deep anxieties that are part of the human condition. The module is designed as much for beginners as for those who have studied medieval history before. Through lectures, seminar discussion, and private study, you'll develop an understanding of beliefs about death and the otherworld in medieval England; how medieval people prepared for death; how ghosts and the undead irrupted into their world; the role of those who served the dead or acted as mediators between the dead and the living; demons, the evil dead and saints (the holy dead); and how death was represented in medieval art. Our trip around East Anglian churches explores tombs and wall paintings. By the end you'll have gained the capacity to reflect on human belief systems; and by studying death you'll also discover strategies for coping with the fears which have accompanied life in every age and culture.

HIS-6052B

30

FROM VICTORY TO DEFEAT: DEFENDING BRITAINS EMPIRE 1919-1942

The end of the First World War witnessed both the expansion of the British Empire to its largest extent, covering a quarter of the globe, and the destruction of its colonial rivals. However, the First World War also unleashed nationalist forces that would challenge the British imperial system. This resulted in outbreaks of riots and resistance against British rule in Ireland, India, Mesopotamia and Egypt. Weakened economically and socially by the gargantuan effort of winning the war how would Britain maintain her far-flung lines of empire? We will examine how Britain attempted to secure her strategic interests both within an era of growing nationalist resistance from within the Empire and against external threats from a resurgent Japan, Germany and Italy. We will introduce students to the high-tide of war imperialism; inter-war imperial defence; the crisis of empire Britain faced in Ireland, India and the Middle East; the 'family-network' of the Dominions; colonial development in Africa and the Caribbean as well as what it meant to fight the Second World War on an imperial footing during the campaigns in the Mediterranean and North Africa, finishing with the strategic abyss that was the fall of Singapore in February 1942. By examining the pressures policy-makers faced from within the Empire and from outside we will seek to gain a deeper understanding of how the British Empire functioned during this pivotal period of the imperial project.

HIS-6082B

30

GALLERIES AND MUSEUMS PRACTICE

In this module, you'll explore a variety of practical and conceptual considerations in Gallery and Museum Studies by focusing on specific aspects of these institutional structures: from building and housing collections, to curating shows, producing exhibition texts, and writing art criticism. You will then develop your engagement with the practice of conceiving, designing and mounting exhibitions, exploring both the conceptual demands of putting on a successful show and the practical considerations involved in doing so: from meeting artists in the studio, to transporting works, to making funding applications. Finally, we'll consider the role of interpretation and learning in galleries and museums practice, thinking also about how texts of various sorts operate in exhibitions and collections displays. The module has previously involved a study trip to London.

AMAA6134B

30

GLOBAL APPETITES: SUGAR and SPICE AND COFFEE and RICE

For all people, from kings to commoners, daily life in the early modern period revolved around the consumption of food. Preparing, presenting, and eating food was central to social lives and had cultural significance. Food played a major role in political developments at international, national and local levels, with concern focused on regulation, the avoidance of contamination, agricultural improvement, nutrition, and imperialist expansion. During the early modern period economic cycles were dependent on the weather, which affected local harvests. For centuries before the European discovery of America, cannibalism had served as a marker of evil. It figured prominently in mythic depictions of distant, dangerous peoples, and accusations of cannibalism accompanied widespread attacks against Jews. The early European adventurers who explored Africa and the Americas were often preoccupied by cannibalism, and their fears were cited to justify conquest, colonisation, the displacement of indigenous peoples, and slavery. Many exotic new foodstuffs arrived in Europe during this time. Spices from the East such as cinnamon and nutmeg gave flavour to products which would become staples, such as rice and potatoes. New fruits and vegetables such as tomatoes and pineapples were often initially greeted with skepticism. The impact of sugar on western diets cannot be over-emphasized, expanding waistlines, rotting teeth (it was even used as a tooth cleaning agent) and being moulded into sweet sculptures to show-off at fancy banquets. This was edible conspicuous consumption. Sugar refineries were established across Europe, and sugar was sold in cones wrapped in blue paper. Initially a food of the rich, it was eventually considered a staple food. However, the poor did not merely emulate the rich in their consumption of these products. Like many other products, sugar has a dark history too, and its production relied on slavery and the manipulation of diets elsewhere. Coffee, tea and chocolate changed during the early modern period from medicinal substances, to luxuries, to habitual products. This module will allow students to consider the venues of consumption - the coffeehouses and the alehouses, as well as taverns, markets and inns. It will also consider the surviving material culture of food - oyster shells, cutlery, crockery and cookware. The history of food trade and middlemen will, inevitably, form part of this module. The European countries with the most extensive trading networks had the most varied diets. Initially, this was the southern part of Europe - the Iberian Peninsula and Italy, where ports were supplied from the East and across the Atlantic. Eventually, the Dutch and the English overtook Mediterranean countries, allowing their citizens better diets with more exotic goods. In the London parish of St Giles Cripplegate in the late 17th century there were over four hundred victuallers, many cooks, confectioners, a wafer maker, a gingerbread maker and a noodleman. Food and ways of eating were loaded with moral significance. In the minds of many commentators, diets continued to distinguish civilised peoples from savages, and humans from beasts. Closer European contacts with Native Americans and East Indians in the 17th century triggered a re-examination of good and bad diets, and helped inspire the first concerted efforts in England to promote vegetarianism. You'll consider the history of food from various perspectives: production, distribution, regulation, preparation, consumption, and conflict. You'll draw upon a variety of historical and geographical contexts to examine how people came to eat what they ate - with Europe being the main focus, but also widening the scope to take in foodstuffs transported from right across the globe. The primary source material will also be varied, and will include export lists, diaries, travel accounts, images, surviving material culture, didactic manuals by people such as Thomas Tryon and Eliza Smith and fiction by the satirical pub landlord Ned Ward and the novelist Tobias Smollett. Twelve substantive sessions will be on these subjects: #Economies of eating - from banquets to domestic frugality #Cannibalism #Flavouring: sugar and spice #The bread of life: grains and carbohydrates. #Fridays, Fish and Empire #Preserving: fats and salt. #The fattened cow and fat pigs in clover - the agricultural revolution (fieldtrip to Holkham Hall) #Cooking - domestic, fast food and mass catering. #God and vegetables, savagery and vegetarianism #This Little Piggy went to market. Provisioning: market regulation, dearth, and riots #Beer Street and Gin Lane: Excess and intoxicants. #Wilful waste makes woeful want: Leftovers, adulteration and mouldy food.

HIS-6084B

30

GLOBAL COMMUNITY: INTERNATIONALISM IN THE NINETEENTH AND TWENTIETH CENTURIES

Historians often concentrate on wars and conflicts between nations; this module seeks to examine ideas and institutions which have aimed at the common good of humanity. In the aftermath of the Napoleonic wars, a whole range of ideas for uniting mankind developed, as did the infrastructure of trade and communications which held the potential to make this possible. Ideas of internationalism developed among liberals, socialists and conservatives as well as significant cultural figures such has H G Wells and Jules Verne. Such ideas also developed in the United States, shaping the thinking of President Woodrow Wilson and the peace settlement at the end of the First World War. The League of Nation after 1918 also represented the first attempt to realize a form of global governance, and such ideas were renewed in the form of the United Nations after 1945, a period which, despite the rivalries of the Cold War, saw the revival of a whole range of ideas for re-uniting men and women across national boundaries. The legacy of this international tradition remained a potent force in shaping globalisation in the later twentieth century. Topics to be studied will include: Uniting nations before and after 1815: the Concert of Europe and the Brotherhood of Man; Peace, free trade and the origins of liberal internationalism in 19th Britain; Communications and global governance; the emergence of Liberal internationalism in the United States; Socialist internationalism before 1914; Cultural internationalism in fin de siecle Europe; Wilsonian internationalism and the peace settlement of 1919; The League of Nations between the Wars; Conservative internationalism between the Wars; Socialist internationalism, 1919-1939; Thinking about peace, 1919-1939; the emergence of the United Nations; Global economic order after 1945; Globalising human rights.

HIS-6064B

30

MEDIEVAL CASTLES

We examine the development of the medieval castle in England and Wales. Topics for discussion include the origins of the castle, siege warfare, castle siting and the role of the castle as an icon of lordship.

HIS-6090B

30

MIRACLES TO MARVELS: TRAVELLERS FROM MEDIEVAL EUROPE TO THE MODERN WORLD

This module focuses on the history of travel and travel writing from the late Middle Ages to the early Nineteenth century. We explore the development of ideas of travelling and of travel narratives within Europe, the Mediterranean and the Indian Ocean. Topics include pilgrimages and pilgrim guides; Renaissance ethnographies; geography and cartography; monsters and fantasies; travellers and intellectuals; the visual and material culture of travelling; cultural conflict and toleration in colonial America; antiquarianism; the Grand Tour; imagined travels.

HIS-6088B

30

PHOTOGRAPHY AND HISTORY

The invention of photography in 1839 changed the historical imagination forever. The new technology - and the new visual forms it helped create - became a tool used in so many contexts, and by so many people, that no study of art, history, or science since the mid-19th century can ignore it. This module will challenge you to think about photography in a global perspective, covering more than 150 years of its use. You'll encounter different approaches to the study of photography, drawing on the work of visual anthropologists, art historians, and historians of science. This module will equip you with a historical and critical perspective on how, and why, photography became such a persuasive and pervasive medium. You'll have the opportunity for an in-depth exploration of a specific topic. To give just a few examples, these could include the use of photography in archaeological fieldwork, surveys of art and architecture, or scientific racism and criminal profiling, as well as genres such as portraiture, photo-journalism, snapshot or everyday photography. You'll also consider the care - and the future - of photographic archives, such as the School's own photographic collection here at UEA.

AMAA6140B

30

PRE-COLUMBIAN WORLDS: ARTS--SUBSTANCES--SENSES

In this module, you'll examine the importance of substances and materials for peoples of the ancient Americas. By looking at artworks, imagery and archaeological contexts (esp. Mesoamerica and Central Andes), we'll explore indigenous understandings of how worlds are fashioned, experienced and acted upon through material things. Among the most important substances are stone, fibre, metals/minerals, earth, water and blood - each with significant physical properties (e.g., colour, rarity, brilliance, durability) and symbolism. The module highlights monuments, mural painting, cloth, weaponry and body ornamentation crucial in the ritual life and worldviews of ancient America's great civilisations, such as Aztec, Maya, Inca and Moche.

AMAA6129B

30

RUSSIA IN REVOLUTION 1905-1921

More than a century after Lenin's Bolsheviks proclaimed the world's first socialist revolution in Petrograd, the events of 1917 retain their power to fascinate, inspire, bewilder and repel. How can we understand the Russian revolution, why did it happen, and what did it mean for the people who made and lived through it? On this module we'll use a range of sources, including contemporary documents, newspaper reports, and memoirs - some translated specially for this module - to answer these questions. We start with the run-up to the revolutionary events of 1905, when the whole empire was convulsed with strikes, uprisings and armed clashes. We then take the story through the Tsarist regime's attempt to shore up its authority through limited consitutionalist concessions, before looking at World War One and the fall of the monarchy. We'll look in detail at what happened in 1917 and why - not only in the Russian heartland but also in certain non-Russian parts of the empire. Finally, we'll examine the civil war and why the Reds won. Throughout, we put the story in its historical, political and geographical context, always with an eye to its impact on later developments up to today. By understanding the events of a century ago, you'll gain insights into the Russia of today and the troubled and turbulent post-Soviet area. You'll also gain invaluable experience of carrying out in-depth independent research and presenting your findings.

HIS-6004B

30

STRUCTURES OF DAILY LIFE IN MEDIEVAL EUROPE, c 500-1300

What were some of the main aspects of daily life in medieval society during the period c. 500-1300? The practicalities and complexities of how people in the early and central Middle Ages conducted their lives will be explored in weekly seminars with the aim of gaining a deeper understanding of the dynamics and experience of social and cultural life during this period. You will engage with a wide range of historical (such as narrative sources, administrative records, letter collections) and material remains (such as art and architecture, archaeological remains, such as burials, ephemeral everyday objects) to illuminate both the mental and physical worlds of medieval populations. The broad geographical and chronological sweep of the module will allow you to analyse continuity and change over space and time.

HIS-6087B

30

THE FIRST WORLD WAR: A NEW HISTORY

This reading-intensive module explores the impact of the First World War on European and non-European states, societies, and cultures. It aims to broaden and deepen the students' knowledge by introducing some of the lesser known aspects of the conflict, such as the campaigns on the Eastern front, in Africa, or the Middle East. Students will investigate the role and perception of colonial troops in the European theatre of war and examine the war efforts of such countries as Italy, Serbia, the Ottoman Empire, and Australia. Further topics to be discussed include alliance politics and the role of neutral states, psychological effects of 'industrialised slaughter', atrocities against non-combatant civilians, captivity and occupation, state propaganda and the spiritual mobilisation of intellectuals, as well as processes of social change with regard to home and family life, ethnicity and class. We will draw on a wide range of primary sources, including poems, paintings, and film. In their coursework, students will have the opportunity to study more specific issues, such as naval and aerial warfare, British military strategy, civil-military relations in democratic and autocratic states, medical innovations, the war experiences of children, or questions of memory and commemoration.

HIS-6051B

30

TWENTIETH-CENTURY SPORT HISTORY

You'll explore key themes and topics in the history of twentieth century sport, from the founding of the modern Olympic Games in Athens in 1896 to the impact which the collapse of socialism had upon sport at the end of the century. Sport's interaction with empire, nationalism, fascism, socialism and capitalism will be considered, demonstrating that the political history and international relations of the century are deeply entwined with it. As an aspect of social history, issues of gender, race and disability are inseparable from this topic, as are the harnessing and exploitation of sport as a means of war or reconciliation at various periods throughout the century.

HIS-6006B

30

Disclaimer

Whilst the University will make every effort to offer the modules listed, changes may sometimes be made arising from the annual monitoring, review and update of modules and regular (five-yearly) review of course programmes. Where this activity leads to significant (but not minor) changes to programmes and their constituent modules, there will normally be prior consultation of students and others. It is also possible that the University may not be able to offer a module for reasons outside of its control, such as the illness of a member of staff or sabbatical leave. In some cases optional modules can have limited places available and so you may be asked to make additional module choices in the event you do not gain a place on your first choice. Where this is the case, the University will endeavour to inform students.

Further Reading

  • Cover Up

    Mummies' bodies tell historians a lot about ancient Egypt. At UEA we're unwrapping Egypt's past using a surprising source - mummies' bandages.

    Read it Cover Up
  • At A Crossroads

    Since 2011, researchers from UEA’s Sainsbury Research Unit have been conducting yearly archaeological field trips to the banks of the Niger River in northern Benin, West Africa, as part of the Crossroads of Empires research project.

    Read it At A Crossroads
  • Medieval Parish Churches of Norwich

    Fifty-eight parish churches are known to have stood within the walls of medieval Norwich. Despite damage and loss, thirty-one remain today, which is the largest concentration of urban medieval churches north of the Alps.

    Read it Medieval Parish Churches of Norwich
  • Spirits of Clay

    Dogu – the enigmatic, beautifully-sculpted clay figurines found abundantly throughout Japan – have fascinated archaeologists for over a century.

    Read it Spirits of Clay
  • Sainsbury Centre for Visual Arts

    The Sainsbury Centre is one of the most prominent university art galleries in Britain, and a major national centre for the study and presentation of art.

    Read it Sainsbury Centre for Visual Arts
  • The Mummy: what our obsession with ancient Egypt reveals

    Tut-mania reigned in the 1920s – and keeps returning to haunt us.

    Read it The Mummy: what our obsession with ancient Egypt reveals
  • #ASKUEA

    Your University questions, answered

    Read it #ASKUEA
  • UEA Award

    Develop your skills, build a strong CV and focus your extra-curricular activities while studying with our employer-valued UEA award.

    Read it UEA Award

Entry Requirements

  • A Level ABB including History (or another History-related subject).
  • International Baccalaureate 32 points overall including 5 in HL History. If no GCSE equivalent is held, offer will include Mathematics and English requirements.
  • Scottish Highers Only accepted in combination with Scottish Advanced Highers.
  • Scottish Advanced Highers ABB including History. A combination of Advanced Highers and Highers may be acceptable.
  • Irish Leaving Certificate 3 subjects at H2, 3 subjects at H3 including History
  • Access Course Distinction in 30 credits at level 3 including History modules, and Merit in 15 credits at level 3. Humanities or Social Sciences pathway preferred. Other pathways are acceptable, please contact the University directly for further information.
  • BTEC DDM accepted alongside Grade B in History A-level (or equivalent). BTEC Public Services is not accepted.

Entry Requirement

UEA recognises that some students take a mixture of International Baccalaureate IB or International Baccalaureate Career-related Programme IBCP study rather than the full diploma, taking Higher levels in addition to A levels and/or BTEC qualifications. At UEA we do consider a combination of qualifications for entry, provided a minimum of three qualifications are taken at a higher Level. In addition some degree programmes require specific subjects at a higher level.

Students for whom English is a Foreign language

We welcome applications from students from all academic backgrounds. We require evidence of proficiency in English (including speaking, listening, reading and writing) at the following level:

  • IELTS: 6.5 overall (minimum 6.0 in any component)

We will also accept a number of other English language qualifications. Please click here for further information.

INTO University of East Anglia

If you do not yet meet the English language requirements for this course, INTO UEA offer a variety of English language programmes which are designed to help you develop the English skills necessary for successful undergraduate study:

Gap Year

We welcome applications from students who have already taken or intend to take a gap year.

We also welcome applications for deferred entry, believing that a year between school and university can be of substantial benefit. You are advised to indicate your reason for wishing to defer entry and may wish to contact the appropriate Admissions Office directly to discuss this further.

Intakes

This course's annual intake is in September of each year.

Alternative Qualifications

We welcome a wide range of qualifications - for further information please email admissions@uea.ac.uk

GCSE Offer

GCSE Requirements:  GCSE English Language grade 4 and GCSE Mathematics grade 4 or GCSE English Language grade C and GCSE Mathematics grade C.

Fees and Funding

Undergraduate University Fees and Financial Support

Tuition Fees

Information on tuition fees can be found here:

UK students

EU Students

Overseas Students

Scholarships and Bursaries

We are committed to ensuring that costs do not act as a barrier to those aspiring to come to a world leading university and have developed a funding package to reward those with excellent qualifications and assist those from lower income backgrounds. 

The University of East Anglia offers a range of Scholarships; please click the link for eligibility, details of how to apply and closing dates.

How to Apply

Applications need to be made via the Universities Colleges and Admissions Services (UCAS), using the UCAS Apply option.

UCAS Apply is a secure online application system that allows you to apply for full-time Undergraduate courses at universities and colleges in the United Kingdom. It is made up of different sections that you need to complete. Your application does not have to be completed all at once. The system allows you to leave a section partially completed so you can return to it later and add to or edit any information you have entered. Once your application is complete, it must be sent to UCAS so that they can process it and send it to your chosen universities and colleges.

The UCAS code name and number for the University of East Anglia is EANGL E14.

Further Information

If you would like to discuss your individual circumstances with the Admissions Office prior to applying please do contact us:

Undergraduate Admissions Office (World Art Studies and Museology)
Tel: +44 (0)1603 591515
Email: admissions@uea.ac.uk

Please click here to register your details online via our Online Enquiry Form.

International candidates are also actively encouraged to access the University's International section of our website.

    Next Steps

    We can’t wait to hear from you. Just pop any questions about this course into the form below and our enquiries team will answer as soon as they can.

    Admissions enquiries:
    admissions@uea.ac.uk or
    telephone +44 (0)1603 591515