BA American Literature with Creative Writing


Meet Luke Wright. A poet and a theatre writer who graduated from UEA with a BA English Literature. Hear about his experience at UEA and how the societies, extracurricular activities and course gave him the skills to pursue his dream career.

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"Areas i didn't think i'd be interested in completely turned around for me because of the enthusiasm of certain professors. I honestly don't think i could find a better university for my academic area than UEA"

In their words

Stephanie Watson, BA American Literature with Creative Writing.

This degree allows you to study American literature in depth while developing your creative writing practice. You will learn what makes American literature, and through that the United States itself, distinctive.

You will come to understand how Americans have expressed their sense of identity through literature, defining their nation in the process. Norwich has a vibrant contemporary writing scene, and is a UNESCO City of Literature making it an ideal place for you to study and to write.

You will also gain a first-hand appreciation of American literature during your year abroad in the United States, or perhaps you will choose to study in Canada or to spend one semester of your year abroad in Australia, New Zealand, or Hong Kong.

All of those experiences will enrich your final year, during which you will take a series of advanced classes and write a dissertation on a topic of your choice, guided by a supervisor.


The American Literature with Creative Writing degree programme provides an introduction to the demands and challenges of creative practice. In this degree, creative writing is offered as a subsidiary subject taken in conjunction with the study of American literature.

UEA has a long tradition of providing courses in the writing of fiction, poetry and drama and has close and active links with the world of contemporary writing.

The third year of this degree programme is spent abroad, providing you with an invaluable academic and cultural experience, one that most students consider to be the highlight of their time at university. You will spend the majority of the third year studying in America or Canada - with the option of spending a semester in Australia, New Zealand, or Hong Kong.

This opportunity allows you to appreciate American literature and creative writing from a different perspective; furthermore some institutions will provide you with internship placements in organisations such as publishers, newspapers and TV stations. See the “Year Abroad” tab for more details.

Course Structure

Your degree programme may contain compulsory or optional modules. Compulsory modules are designed to give you a solid grounding, optional modules allow you to tailor your degree.

The course modules section below lists the current modules by year and you can click on each module for further details. Each module lists its value (in credits) and its module code, a year of study is 120 credits. 


Assessment takes place at the end of each semester through coursework, and at the end of each year by examination. In your final year, you will write a dissertation on a topic of your choice with the support of your tutors, therefore is no final examination. Your final degree result is determined by the marks you receive in years two and four.

Want to know more?

Come along to an Open Day and experience our unique campus for yourself.

Study Abroad

What We Offer

We offer every one of our undergraduate students enrolled on a four year degree programme the opportunity to study abroad during their third year at one of forty-eight universities across the US and Canada – from New England to California, Alaska to Louisiana, Vancouver to Montreal.

Our Year Abroad programme has been running for over 30 years and is the largest in the UK for American Studies. Students are able to study in the US or Canada for a full year, or choose to split the year between North America, Hong Kong and Australasia (where we currently have 20+ partner institutions), and so experience American Studies from a Pacific Rim point of view, as well as the Atlantic perspective gained while at the University of East Anglia.

For more information please see the Study Abroad website.

Why do a Year Abroad?

Study abroad is a unique educational opportunity that can enhance your studies, but can also demonstrate a range of skills and provide key experiences that are sought by employers. Studying abroad can provide students with increased self-awareness, the ability to adapt to new situations, as well as an increased understanding of different cultural perspectives. Spending time studying overseas also allows students to demonstrate the ability to work and communicate in different cultural contexts, skills that are of vital importance to a range of international employers.

Studying abroad also provides an opportunity to meet new people and experience new things that can have a positive effect on a student’s academic progression. Students often return to UEA after their year abroad with a new sense of confidence and enthusiasm for their subject. Having experienced different teaching methods and subjects, students are also able to bring a range of new skills and perspectives into he classroom during their final year of study.

To find out more about our student experiences of overseas study you can read the following blog entries about studying at Temple University and the University of Western Ontario by our current students Kitty MacKay and Ainsley Bowmer.


The advantage of our exchange programme is that you do not pay tuition to your exchange institution. These costs are covered by the tuition fees you pay here, and moreover, for the year you are overseas you only pay a percentage of your standard tuition fee (currently 15 per cent for Home/EU students and 25 per cent for international students)*.

Accommodation costs must be paid and vary in each institution.
*Please note that fees are subject to annual review.

Course Modules 2017/8

Students must study the following modules for 100 credits:

Name Code Credits


This module will provide you with a thorough introduction to American Literature from the after the American Civil War, through the turn of the century and into modernism and the early twentieth century, up to the close of World War II.




American Literature I: Imagining America is a level one module designed to introduce the major writers and themes of literature in the United States. For this module there will be a weekly lecture and a two-hour seminar. Lecture Slot: Monday, 1200-12.50. Further information on the timing of the seminar can be found in the published timetable.




This course aims to introduce you to some of the basic tools you will need for a degree in the School of American Studies. It is designed to provide you with the skills required for the assessed work you will be doing in your other core modules; you are also encouraged to bring in questions, thoughts and examples from those other modules.




The module develops and expands the research methods, writing skills, and oral skills acquired in Reading Cultures I: American Icons. By continuing the exploration of contemporary American culture and introducing cultural and critical theory as a means to engage with current ideas and ideologies circulating around American cultural icons, the module will encourage exploration of America's changing position in the world. The module is intended to further facilitate skills in reading, writing, analysis, synthesis, independent thinking, and confidence as self-supporting learners in order to provide a strong foundation for work at levels 2 and 3.




This Autumn semester module is dedicated to incoming members of the American Literature with Creative Writing programme. They will meet with a tutor to explore the relationship between writing and identity. This may raise issues of race, class, or gender: of sexuality: of place (local, regional, national, global): of ethnicity or religion: and of memory or history, among others. Students should expect writing workshops, and that they may variously encounter the writing of either fiction or non-fiction, or of both. Genre will be determined by the tutor. This module is only available to students on U1T7W8401 and is not available to Visiting Students.



Students will select 20 credits from the following modules:

Name Code Credits


'Realism' is a key term in understanding the relationship between literary texts and historical reality. The term originated in the nineteenth century, the high period of a certain kind of realist novel that Colin MacCabe called the 'classic realist text'. Yet this nineteenth century novel is only one influential form of realism among many. This module investigates the varieties of realism by exploring the multifarious and innovative ways in which writers have exploited a variety of literary forms with the aim of producing the impression of a faithful representation of historical reality. In so doing, it encourages students to think past a culturally ingrained notion of the nineteenth-century novel as a kind of literary norm, or default setting. For one thing, the nineteenth-century novel was in itself highly diverse, more so than this normative model would allow. But more than that, the impulse to get closer to 'reality' always begs questions such as 'the reality of what?', 'whose reality?' and 'the whole of reality? or, if not, which bit of it?'. Realist impulses have often pulled writers in different directions, suggesting a plurality of different formal strategies. Students will learn to identify the different rhetorical and formal devices that writers across the centuries have used to create realist effects.




This module seeks to build on and develop the work of the Autumn semester, in particular that of Reading Texts and Reading Translations. The focus will fall again on small-group discussion and on the reading of a small number of texts - one creative, and one critical - chosen by the tutor from a set list. With this close attention to reading at its core, the module will also look at a number of the terms and ideas central to the study of literature and to the practice of interpretation. Not available to Visiting Students.




This module examines the nature of writing as a formal, cognitive, and cultural practice. It explores the writing process, and the ways in which the text produced relates to textual theories. It addresses issues such as the differences between writing and speaking, between literary and non-literary texts, and between different forms of writing. It studies the writer's relationship with the text and its readers and the reader's relationship with the text and its writer. Throughout this module we will be defamiliarising writing and exploring how it operates. We will also approach writing formally and practically through the analysis of texts types, styles and registers. The lectures and seminars, in differing proportions, will weave together the conceptual (how we conceive writing to be), the illustrative (how writing, as we know it, works on a page and how it is read), and the practical (undertaking writing tasks to observe how these ideas operate).



Students must study the following modules for 60 credits:

Name Code Credits


Addressing America as a nation and the experience of being American, Walt Whitman writes in 'Song of Myself': 'Do I contradict myself? Very well, I contradict myself, I am large and contain multitudes.' This module further explores Whitman's comments in a selection of American writers, and will consider the literary and historical contexts of their creative literary practices.



EXCEPTIONAL STATES: US Intellectual and Cultural History

This is a compulsory module for all students on an American Studies related degree programme. The module offers foundational understanding in US intellectual thought and culture from the roots of democracy coming out of the Enlightenment through to the contemporary moment of globalisation and biopolitics. In short the module maps-out the US from its origins in the European imagination to its current position in a globalised world. It address such important questions as: Does the US have a distinctive culture? What of the melting-pot? How has the diversity of ethnic, racial, gender, class, and religious identities shaped US intellectual and cultural history? How have the concepts and practices of related disciplines such as history, sociology, economics and literary criticism influenced US intellectual and cultural life? Should we speak of cultural imperialism? How has capitalism and its various political-economic and cultural critiques shaped the US? And how can the study of intellectual and cultural history help us understand the dynamics of power?



Students will select 20 credits from the following modules:

Name Code Credits


This module explores both America's fascination with crime fiction, and crime fiction itself as an American genre. From its emergence in the mid-nineteenth century writings of Edgar Allen Poe, this module will investigate the ways in which American crime fiction has traced and exposed a wide range of social and cultural anxieties in America. Moving through the early twentieth century hard-boiled detective narratives of Raymond Chandler, Dashiell Hammett and Chester Himes, and into the postmodern concerns of late twentieth and early twenty-first century writers such as James Ellroy, Patricia Highsmith, Sara Paretsky, Carl Hiaasen and Patricia Cornwell, we will examine the ways in which American crime fiction asks a series of searching and troubling questions about contemporary American society. Central to our analysis will be the ways in which crime fiction represents a range of American concerns including individualism, the 'hero', race, gender, class, regionalism, the city, and the environment.




The first book published in the New World was a hymn book. Music, sacred and profane, has been at the centre of American lives ever since. Accordingly, this module will explore the history of American music - but it will also examine the way that its development tells a larger story. Focusing largely on the vernacular musical traditions we will encounter a wide range of musical styles and musicians, each of which has something vital to tell us about the shaping of America. After all, as Plato knew, "When the mode of the music changes, the walls of the city shake."




The module traces the history of the radical political activism in the U.S. from the late nineteenth century to the 1980s. It shows how radicals, while often marginal or ostracised in the United States, assumed pivotal roles as effective organizers in mass movements dedicated to class, race, gender and sexual equality. Classes cover the trade union movement, feminist politics, the black freedom struggle as well as the gay liberation struggle.




This module encourages students to consider how Punk#as a musical genre, an aesthetic, and as a subculture#may be perceived as a vital part of a longstanding American tradition of self-reliance and innovation. This interdisciplinary module attempts to define Punk and considers what it means to be Punk by examining its influence on music, poetry, and fiction. The module also explores the socio-political implications of Punk in terms of gender, sexuality, and community, and questions Punk's role in an increasingly globalised world.




What was the Cold War? How did it start, where andhow was it fought, and why did it last so long? This module analyses these issues by exploring the contest waged by the U.S and Soviet Union in every corner of the globe during the twentieth century. It considers nations and peoples who aligned with the superpowerd or, as was increasingly the case, with neither. It looks at the multiple ways in which this unique 'war short of total war' influenced all aspects of life, from diplomacy and politics, to economicd, to culture and values, to bombs and warfare, to societal norms, to questions of race and sexuality.




With its main focus on the 20th century, this module will explore key moments of change or crisis in the century and consider the ways the panic caused by such changes is distinctly gendered and/or sexualised. It will concurrently examine gender and sexual resistance to dominant ideas of American identity and the subsequent creation and/or promotion of liberationist discourses and alternative communities. Film will provide the focus for this cultural study, and the module will range widely over a number of different genres including the western, sci-fi, detective and LGBT themed works.



Students will select 20 credits from the following modules:

Name Code Credits


This module provides a broadly chronological view of American poetry from the start of the twentieth century to the present day. It wonders about what the consequences might be if we consider seriously Emerson's claim (made in 1844), that America might be seen as a poem.




This module will suggest that there is a preoccupation with adolescence in postwar and contemporary American culture, and will explore why this is the case. It will do so by introducing students to representations of adolescence in various disciplines, focusing particularly on literature, film, psychoanalysis and cultural studies. Questions to be explored will include: What is 'American' about adolescence? How do representations of adolescence vary according to factors such as gender, race and region? Is there a particular discipline or artistic form which is especially suited to depictions of adolescence?




This module explores the ever expanding concept of 'American Frontiers'. Since Frederick Jackson Turner's influential 'Frontier thesis' of 1893, American identity has been increasingly linked to the concept of the 'frontier' which has, in more recent years, become subject to an ever-widening geography. Often referred to as the 'transnational turn,' this critical and theoretical trajectory has constantly reinvented - and multiplied - what constitutes the 'American Frontier'. From violent clashes between colonisers and Native peoples to the Space Race, from literary cosmopolitanisms to Hollywood in the South Seas, from America's own national borders to its internal racial and ethnic boundaries, to name just a few of the possible ways of thinking about the Frontier, this module considers American geographies in tandem with the critical movements that have shaped American Studies.




The purpose of this unit is to expose students to a range of works by American women writers in the 20th century. We will looks at some of the best known women writers in the American tradition, as well as works or writers you are not likely to encounter in other units, because either the author or the work is sidelined.



LIVING ON THE HYPHEN: Multi-ethnic American Literatures

America has long been interpreted as the location of social possibility founded upon a desire to assimilate and negate ethnic 'others'. This module traces the literary responses of distinct 'American' cultures: including Native American; African American; Asian American; and Latin American. Each group of texts engage with the specific historical, cultural and political relationships between the US and each author's country of origin or national/cultural history, across the nineteenth and twentieth centuries. Topics will include race and racism, exile, return, family, belonging, identity, language and memory, colonisation, imperialism, slavery, segregation, immigration, and illegality/invisibility, with an emphasis upon contemporary experiences.




This module aims to introduce students to strategies and techniques for analysing photographs and, more specifically, uses the visual record to study and illuminate the history of the USA. Viewed here as sites of historical evidence, photographic portraits, family albums, anthropological illustrations, lynching postcards, advertisements, food packaging, fashion photos are just some of the pictures that will be "read" and evaluated. Students will explore how visual texts can contribute to an understanding of nationhood, class, race, sexuality and identity in the USA, with an emphasis on the nineteenth century. Opening sessions will focus on ways of "reading" visual texts. [No previous experience of working with images is necessary]. Most of the semester will be devoted to analysing how photographic images both reflect and contribute to constructions of American identities and culture.




The legacy of the American Revolution reverberates throughout American history and culture. In addition to representing the nation's beginnings, the events and ideas of the revolutionary era have fundamentally shaped the way Americans think about themselves, their nation, and their history. Politics, law, popular culture, and literature have all drawn on the legacy of the American Revolution. But what exactly is that legacy and how has it been used? This module introduces students to the history of the American revolutionary era, from the end of the Seven Years' War in 1763, through war against the British, writing the Constitution, to the election of Thomas Jefferson in the "revolution of 1800". The Revolution affected nearly all aspects of American life, including the political economy of slavery, gender relations, economic development, and the pace and pattern of the expansion of white settlement, all of which will be discussed in the module. The module will also consider the extent to which the history of the Revolution is accurately (or otherwise) represented in contemporary discussions and ask what such representations might tell us about contemporary American politics and society.



Students will select 20 credits from the following modules:

Name Code Credits


Exclusive to ELCW students (and for other students who have achieved 68+ (or equivalent for Visiting Students) in a previous Creative Writing module). All other students should enrol on LDCC5005A/LDCC5004B: Creative Writing: Introduction. This module enables students to test the range of their abilities as writers of poetry. The first half of the seminar will be exploratory and practical, using structured exercises and handouts to consider such issues as voice, persona, sound, imagery, metaphor, structure and form. In the second half the emphasis will shift to constructive group discussion of students' own work. Aims: The aim of this module is to develop students' expressive and technical skills in writing poetry and to improve students' abilities as editors and critics of their own and other people's work.




Exclusive to ELCW students (and for other students who have achieved 68+ (or equivalent for Visiting Students) in a previous Creative Writing module). All other students should enrol on LDCC5005A/LDCC5004B: Creative Writing: Introduction. This module enables students to test their abilities and potential as writers of prose fiction. The first half of the seminar will be exploratory and practical, using structured exercises and handouts to consider such issues as character, genre, voice, dialogue and point of view. In the second half the emphasis will shift to constructive group discussion of students' own work. The aim of this module is to develop students' expressive and technical skills in writing prose fiction and to improve students' abilities as editors and critics of their own and other people's work.




WW84 STUDENTS TAKE THIS MODULE AND THE AUTUMN MODULE (LDCC5002A) AS COMPULSORY MODULES. STUDENTS ON OTHER PROGRAMMES MAY TAKE EITHER THE AUTUMN MODULE OR THE SPRING MODULE, BUT NOT BOTH. This module develops students' abilities to create and understand dramatic texts. Methods include structured exercises in writing drama and the exploration and analysis of a range of plays. Students may specialise in writing for stage/radio or film/TV.




The Writing of Journalism is concerned with journalism as a practice, and a genre. By examining different types of writing involved in a range of journalism, including short news stories, running stories, online journalism, reviews, and feature writing (including interviewing), we will identify and develop the skills needed to produce these. In addition to writing journalism themselves, students will examine journalistic writing and critical work about issues in the writing of journalism to probe and challenge their own ideas and assumptions about the practice and production of journalism. Rather than see the practice of journalism and the critical study of journalism as distinct activities, this course aims to engage students as critical readers and writers whose work is informed by both contexts. In so doing, students will gain a greater understanding of the demands and conventions of journalistic writing, develop and sharpen their own work, and gain the discursive flexibility to navigate the writing of journalism today. The module demands a high level of participation, as it is based on discussion, peer-workshops, and practical experience of reading and writing news and feature articles. Regular writing and participation in workshops count towards assessment. Due to the nature of this module, students who work in English as a second or foreign language should meet LDC's EFL score of 6.5. All prospective students are advised that the module involves weekly work to develop effective - and professional - journalism practices.



Students must study the following modules for 120 credits:

Name Code Credits


A semester spent at an American university taking an approved course of study. Restricted to students on American Studies 4 year programmes.




A semester spent at an Australian university taking an approved course of study. Restricted to students on 4 year programmes.




A year spent at an American university taking an approved course of study. Restricted to students on 4 year American Studies programmes. For students on programmes:U1T700401, U1TQ73401, U1TW76401, U1T7W8401, U1V238401, U1V2L2401, U1TW76401.



Students must study the following modules for 60 credits:

Name Code Credits


Final year dissertation involving research into a specific issue or topic in American culture, society, history or literature. Restricted to students on the 4 year American Studies degree programmes. Topics will already have been approved on the basis of dissertation proposals submitted during the year abroad.




The course will take the form of weekly, three-hour workshops/seminars, designed to promote group discussion of students' own work. Each week, three or four students will submit written creative writing for group discussion the following week. This group discussion will require those not being workshopped to participate fully. In other words, students will be expected to read the workshop material thoroughly, making extensive editorial notes and coming to each session in a position to contribute to the collective endeavor of improving our understanding of creative writing. Please submit prose fiction to the workshop. If you would like to submit a different genre of creative writing please discuss this with your tutor in advance. A piece of prose fiction should be between 2,000 and 3,000 words. This material will be submitted in hard copy, double-spaced, during the previous week's class. Failure to do this will mean the piece will not be workshopped. Group discussion of each piece of work will last between 30 and 40 minutes. Each week, in addition, there may be in-class exercises designed to encourage the production of new work. From time to time, you will also be given a short piece of exemplary prose possibly with a short piece of appropriate criticism for close reading and discussion. The idea of this is to buttress your own writing practice with some examples of the wide array of possible approaches to fiction writing. There will be an emphasis in this on contemporary American fiction. Throughout the semester students are required to keep comprehensive notes of both the class discussions/workshops, and records of their own editing notes. These will be indispensable when writing the critical self-commentary (more info in class).



Students will select 30 credits from the following modules:

Name Code Credits


The Module engages contemporary writing by expatriates and outsiders in the United States. Considering novels by expatriate writers from Australia, Britain, India, and Nigeria alongside writing by authors from states and protectorates beyond the bounds of the continental United States (Guam, Hawaii, Samoa), this module considers how such writing has imagined key American events, eras, and cultural practices from "the outside in." Authors may include Chimamanda Ngozi Adichie, Peter Carey, Sia Figiel, Brandy Nalani McDougal, Craig Santos Perez, Salman Rushdie, Zadie Smith, and Kirsten Tranter among others.




This module aims to introduce students to the fascinatingly wide and diverse area of American autobiography. It takes a broadly chronological structure in order to introduce key narratives and writers in the history of American autobiography, and will also enable students to engage with important theoretical debates influencing how we might understand autobiography - debates which can perhaps best be described as attempting to determine what is at stake in writing, reading and defining the autobiographical 'I'. Questions to be explored will include: What do we mean by autobiography? Why is it so difficult to define autobiography? What is 'American' about autobiography?




This module introduces students to the American art of comics, comic strips, and graphic novels. Tracing the form's development from its inception in the popular newspapers of the end of the 19th century through the birth of the comic book, the underground comix revolution of the counterculture years, the birth of the graphic novel, and the current boom in autobiographical comics by women, the course will give students a broad understanding of the many cultural and formal issues surrounding the form.




This module considers Native American writing and film as sites of cultural and political resistance, analysing the ways in which a diverse range of Native authors, screenwriters and directors within the United States respond to contemporary tribal socio-economic and political conditions. Taking popular ideas of 'the Indian', this module considers the ways in which stereotypes and audience expectations are subverted and challenged. Topics include race and racism, indigeneity, identity, culture, gender, genre, land and notions of 'home', community, dialogue, postcolonial theory in its application to those who remain colonised, and political issues such as human rights and environmental racism.




This module reads the changing values, presentations and representations of the body that move through and construct American culture. This module will involve pairing theoretical perspectives with current and historical ideas of the body to allow us to interrogate intellectual and popular meanings assigned to and played out through the body. We will reade particular moments in American writing, art, photography and popular forms for what they can tell us about corporality and self-presentation, and also the wider structures of the social and cultural environment in the United States.



Students will select 30 credits from the following modules:

Name Code Credits


American fiction began in the period of the European Gothic novel, which thus marked the American tradition from the first. In this seminar module we will establish the meaning of gothic conventions and consider their persisting effects in American fiction.




America post World War II is marked by great optimism and conversely an extreme sense of foreboding over the absurd conditions of life. Picking up the threads of the transatlantic discussions between continental philosophy and American fiction making, this module explores the connection between American society, literature and experimentation in the decades immediately following World War II. Authors studied may include, Joseph Heller, Saul Bellow, James Baldwin, Kurt Vonnegut, Ishmael Reed, Norman Mailer, Joyce Carol Oates, Hunter S Thompson, Mary McCarthy, Susan Sontag, Robert Coover for example.




The Statue of Liberty is emblematic of the democratic ideals espoused since the American Revolution. Yet, the feminine figure that stands aloft in the New York skyline is also symbolic of discourses of gender: the ideals and expectations shaping men and women's lives as gendered beings. This module will consider how traditional discourses of gender have shaped the identity of Americans and the American nation. Focusing on a wide variety of case studies including debates around the body, citizenship, representations of gender in iconographical form and visual culture, in addition to reflecting on gendered rhetoric in the political arena, the workplace, and institutions such as the military, the module will consider how particular ideals of gender have been articulated in various contexts and how this has informed wider discourses central to the American nation.




The American West occupies both a geographical and social place within US history along with a place in the mythic ideals of America. From the of the law of gunfighter to the promise of the Californian gold-rush to the gay pastoral of Brokeback Mountain, the West has proved to be a site of often violent transformation and liberation. This module will explore the West as both history and myth. As an interdisciplinary module on the West, study may include historical narratives, popular literature, song, comic-books and film.




On the eve of the twenty-first century it appeared that the United States of America was indeed entering into a new American Century with its role as global leader as strongly defined as it was a century earlier. However, the last decade and a half has been witness to a nation in turmoil and crisis, from the conflict between a universalising (Americanising) globalisation and an introspective nationalism; the war on terror and the conflicts in Afghanistan Iraq and Syria; environmental crisis and disaster; the conflict surrounding immigration and national identity, to the present financial crisis. The renewed and vigorous return to rhetoric of national 'unity' that characterised the campaign and election of Barack Obama as President of the United States in 2008 serves to highlight the historical divisions and crises of American society and underscores that contemporary America is in crisis geopolitically, economically, democratically, environmentally, and culturally. This module seeks to engage with these areas of crisis and examine a variety of cultural responses to the America of the millennium. Through a variety of cultural texts, from literature, film and documentary, political speeches and letters, to historical texts and pop culture, this module examines the ways in which these crises have been culturally and politically constructed and given particular sets of meaning.




Whilst the University will make every effort to offer the modules listed, changes may sometimes be made arising from the annual monitoring, review and update of modules and regular (five-yearly) review of course programmes. Where this activity leads to significant (but not minor) changes to programmes and their constituent modules, there will normally be prior consultation of students and others. It is also possible that the University may not be able to offer a module for reasons outside of its control, such as the illness of a member of staff or sabbatical leave. In some cases optional modules can have limited places available and so you may be asked to make additional module choices in the event you do not gain a place on your first choice. Where this is the case, the University will endeavour to inform students.

Further Reading

  • Discrim-inations

    How did the South African anti-apartheid movement inspire African Americans in their fight for freedom from racial inequality? Dr Nicholas Grant explores the history of international opposition to racism to find out the answer.

    Read it Discrim-inations
  • The Lost Ones

    In the late nineteenth century, as the federal government entered the final stages of US nation building with its accompanying conquest and dispossession of Native nations, a glaring question remained unanswered: what should be done with the surviving indigenous peoples who had withstood this onslaught.

    Read it The Lost Ones

    Your University questions, answered

    Read it #ASKUEA

Entry Requirements

  • A Level AAB including English Literature
  • International Baccalaureate 33 points including 5 in Higher Level English. If no GCSE equivalent is held, offer will include Mathematics and English requirements.
  • Scottish Highers Only accepted in combination with Scottish Advanced Highers.
  • Scottish Advanced Highers BBC including English Literature. A combination of Advanced Highers and Highers may be acceptable.
  • Irish Leaving Certificate 4 subjects at H2, and 2 subjects at H3 including English Literature
  • Access Course Distinction in 30 credits at Level 3 including English Literature modules and Merit in 15 credits at Level 3. Humanities or Social Sciences pathway preferred. Other pathways are acceptable, please contact the University directly for further information.
  • BTEC DDD, alongside grade B in A-level English Literature. BTEC Public Services is not accepted.

Entry Requirement

UEA recognises that some students take a mixture of International Baccalaureate IB or International Baccalaureate Career-related Programme IBCP study rather than the full diploma, taking Higher levels in addition to A levels and/or BTEC qualifications. At UEA we do consider a combination of qualifications for entry, provided a minimum of three qualifications are taken at a higher Level. In addition some degree programmes require specific subjects at a higher level.

Students for whom English is a Foreign language

We welcome applications from students from all academic backgrounds. We require evidence of proficiency in English (including speaking, listening, reading and writing) at the following level:

  • IELTS: 6.5 overall (minimum 6.0 in any component)

We will also accept a number of other English language qualifications. Please click here for further information.

If you do not yet meet the English language requirements for this course, INTO UEA offer a variety of English language programmes which are designed to help you develop the English skills necessary for successful undergraduate study:


The majority of candidates will not be called for an interview. However, for some students an interview will be requested. These are normally quite informal and generally cover topics such as your current studies, reasons for choosing the course and your personal interests and extra-curricular activities.

Students will have the opportunity to meet with an academic on an Applicant Day in order to gain a deeper insight into the course(s) for which they have applied.

Gap Year

We welcome applications from students who have already taken or intend to take a gap year.

Deferred Entry
We also welcome applications for deferred entry, believing that a year between school and university can be of substantial benefit. You are advised to indicate your reason for wishing to defer entry and may wish to contact the appropriate Admissions Office directly to discuss this further.

Special Entry Requirements

Candidates who are shortlisted will be asked to provide a sample of their creative writing: we ask for around 7 pages of work, which can be on any subject and in any genre of the candidate's choice. Most choose to send poetry, prose, or a mixture of the two.


This course's annual intake is in September of each year.

Alternative Qualifications

We welcome a wide range of qualifications - for further information please email

GCSE Offer

GCSE Requirements:  GCSE English Language grade 4 and GCSE Mathematics grade 4 or GCSE English Language grade C and GCSE Mathematics grade C.


Fees and Funding

Undergraduate University Fees and Financial Support

Tuition Fees

Information on tuition fees can be found here:

UK students

EU Students

Overseas Students

Scholarships and Bursaries

We are committed to ensuring that costs do not act as a barrier to those aspiring to come to a world leading university and have developed a funding package to reward those with excellent qualifications and assist those from lower income backgrounds. 

The University of East Anglia offers a range of Scholarships; please click the link for eligibility, details of how to apply and closing dates.

How to Apply

Applications need to be made via the Universities Colleges and Admissions Services (UCAS), using the UCAS Apply option.

UCAS Apply is a secure online application system that allows you to apply for full-time Undergraduate courses at universities and colleges in the United Kingdom. It is made up of different sections that you need to complete. Your application does not have to be completed all at once. The system allows you to leave a section partially completed so you can return to it later and add to or edit any information you have entered. Once your application is complete, it must be sent to UCAS so that they can process it and send it to your chosen universities and colleges.

The UCAS code name and number for the University of East Anglia is EANGL E14.

Further Information

If you would like to discuss your individual circumstances with the Admissions Office prior to applying please do contact us:

Undergraduate Admissions Office

Tel: +44 (0)1603 591515

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    Next Steps

    We can’t wait to hear from you. Just pop any questions about this course into the form below and our enquiries team will answer as soon as they can.

    Admissions enquiries: or
    telephone +44 (0)1603 591515